Rashid Suleimenov

Arman is a young woman happily preparing for her wedding with her fiancé Kurman. Their lives are shattered when she is abducted and raped by four wealthy, intoxicated young men. Kurman tries to rescue her but ends up in serious trouble with the police. After recovering from her physical injuries, Arman is determined to bring her attackers to justice. However, she faces a harsh reality: a corrupt system and society that turn against the victim. Instead of support, she is pressured by everyone around her, including her own family, to stay silent, accept hush money, and avoid a public scandal. Traumatized but unbroken, Arman refuses to give in. Left alone in a system that protects the powerful, she must decide how far she is willing to go to fight for justice and her dignity.

A single woman, Nesibeli, raises her son and daughter without a husband. Despite the hardships, she remains cheerful, kind, and always ready to help others, which helps her overcome life’s challenges.

A well-functioning criminal scheme for theft and sale of mirrors fails when one of the thieves kills the car owner who has caught him. All the city's police forces are dispatched to capture the gang. But the main witness to the crime turns out to be familiar with the murderer and plunges herself into painful doubts, without betraying him. The girl is unaware that the other witness to the murder is the leader of the "Mirrors" gang.

After living across the border for a while Maksat goes back to home village to accept inheritance that left grandpa. Maksat is about to face unexpected surprises because life abroad has completely changed him.

The film is based on the events of 1992 that took place in Southern Kazakhstan, when prisoners who escaped during the transfer to Russia took a regular bus with passengers hostage. The best forces of Kazakhstan's national security and law enforcement were dispatched to rescue them.

A new project of Kazakhstani cinematographers under the general direction of Yegor Konchalovsky, which is a feature film. It consists of 10 unrelated film novellas directed by different directors. In its form, the project repeats the French "Paris, I love you", the American "New York, I love you", the Russian "Moscow, I love you!".

Arman is a young woman happily preparing for her wedding with her fiancé Kurman. Their lives are shattered when she is abducted and raped by four wealthy, intoxicated young men. Kurman tries to rescue her but ends up in serious trouble with the police. After recovering from her physical injuries, Arman is determined to bring her attackers to justice. However, she faces a harsh reality: a corrupt system and society that turn against the victim. Instead of support, she is pressured by everyone around her, including her own family, to stay silent, accept hush money, and avoid a public scandal. Traumatized but unbroken, Arman refuses to give in. Left alone in a system that protects the powerful, she must decide how far she is willing to go to fight for justice and her dignity.

Arman is a young woman happily preparing for her wedding with her fiancé Kurman. Their lives are shattered when she is abducted and raped by four wealthy, intoxicated young men. Kurman tries to rescue her but ends up in serious trouble with the police. After recovering from her physical injuries, Arman is determined to bring her attackers to justice. However, she faces a harsh reality: a corrupt system and society that turn against the victim. Instead of support, she is pressured by everyone around her, including her own family, to stay silent, accept hush money, and avoid a public scandal. Traumatized but unbroken, Arman refuses to give in. Left alone in a system that protects the powerful, she must decide how far she is willing to go to fight for justice and her dignity.

A well-functioning criminal scheme for theft and sale of mirrors fails when one of the thieves kills the car owner who has caught him. All the city's police forces are dispatched to capture the gang. But the main witness to the crime turns out to be familiar with the murderer and plunges herself into painful doubts, without betraying him. The girl is unaware that the other witness to the murder is the leader of the "Mirrors" gang.

A well-functioning criminal scheme for theft and sale of mirrors fails when one of the thieves kills the car owner who has caught him. All the city's police forces are dispatched to capture the gang. But the main witness to the crime turns out to be familiar with the murderer and plunges herself into painful doubts, without betraying him. The girl is unaware that the other witness to the murder is the leader of the "Mirrors" gang.

After living across the border for a while Maksat goes back to home village to accept inheritance that left grandpa. Maksat is about to face unexpected surprises because life abroad has completely changed him.

The film is based on the events of 1992 that took place in Southern Kazakhstan, when prisoners who escaped during the transfer to Russia took a regular bus with passengers hostage. The best forces of Kazakhstan's national security and law enforcement were dispatched to rescue them.

A new project of Kazakhstani cinematographers under the general direction of Yegor Konchalovsky, which is a feature film. It consists of 10 unrelated film novellas directed by different directors. In its form, the project repeats the French "Paris, I love you", the American "New York, I love you", the Russian "Moscow, I love you!".

No synopsis available yet.