Barbara Medvešček

Meet Ela: a mother of three, a wife, a friend, and a career woman. To juggle it all, she is often economical with the truth, trying to get herself out of this or that mess. The lies are mostly little, white, and harmless. Every now and then, not so much.

Show depicts dealing with the problems of women in a humorous way, especially working modern mothers, because it seems that motherhood is a role that everyone, partners, friends, relatives and colleagues and bosses, politicians, media and literature, more or less directly define in.

Marta finally meets her prince on a white horse, but the romance quickly becomes complicated when it turns out that her "Mr. Perfect" is actually a paid assassin on the run from the drug cartel that hired him, because he turned against them and is killing those who hired him. An additional complication is that an FBI agent who is trying to bring him to justice gets involved in the story, so Martin is a prince on a white horse, but in reality he is a paid assassin on a white horse who is fleeing from the law and his clients.

Caught amid a violent corruption affair, a young woman is forced to make an impossible choice between the man she obsessively loves and her newborn son.

The film tells the story of the emptiness of time and interpersonal relationships.

Meet Ela: a mother of three, a wife, a friend, and a career woman. To juggle it all, she is often economical with the truth, trying to get herself out of this or that mess. The lies are mostly little, white, and harmless. Every now and then, not so much.

Show depicts dealing with the problems of women in a humorous way, especially working modern mothers, because it seems that motherhood is a role that everyone, partners, friends, relatives and colleagues and bosses, politicians, media and literature, more or less directly define in.