Aniela Astrid Gabryel

Our protagonists seek to transcend all this in order to experience that which is truly real, to unveil themselves. The theater group, in continuing the work of Jerzy Grotowski, recognized as the greatest theatrical revolutionary of the 20th century, goes beyond human limits. Their work has been shrouded in mystery.

“Close your eyes and look at your fears each for yourself. everyone is allowed to be. Any fear of a person coming from another space. Everyone is afraid of some person who lacks something and wants to come from somewhere." Five types on which the heroes meet their most common ailments and obsessions. Body, religion, politics, eco-activism, shamanism.

The film tells four personal stories of one Crimean Tatar family. Their story concentrates, as in a lens, the extensive experience of people living under occupation. The difficulties, which affect this family, are experienced by the larger community and evolve extreme emotions. The main motive of the film is not the regime and the occupation itself, but its consequences, how it affects the lives of ordinary people who simply want to live, to love and to have a family.

No synopsis available yet.

Our protagonists seek to transcend all this in order to experience that which is truly real, to unveil themselves. The theater group, in continuing the work of Jerzy Grotowski, recognized as the greatest theatrical revolutionary of the 20th century, goes beyond human limits. Their work has been shrouded in mystery.

Our protagonists seek to transcend all this in order to experience that which is truly real, to unveil themselves. The theater group, in continuing the work of Jerzy Grotowski, recognized as the greatest theatrical revolutionary of the 20th century, goes beyond human limits. Their work has been shrouded in mystery.

“Close your eyes and look at your fears each for yourself. everyone is allowed to be. Any fear of a person coming from another space. Everyone is afraid of some person who lacks something and wants to come from somewhere." Five types on which the heroes meet their most common ailments and obsessions. Body, religion, politics, eco-activism, shamanism.

“Close your eyes and look at your fears each for yourself. everyone is allowed to be. Any fear of a person coming from another space. Everyone is afraid of some person who lacks something and wants to come from somewhere." Five types on which the heroes meet their most common ailments and obsessions. Body, religion, politics, eco-activism, shamanism.

The film tells four personal stories of one Crimean Tatar family. Their story concentrates, as in a lens, the extensive experience of people living under occupation. The difficulties, which affect this family, are experienced by the larger community and evolve extreme emotions. The main motive of the film is not the regime and the occupation itself, but its consequences, how it affects the lives of ordinary people who simply want to live, to love and to have a family.

The film tells four personal stories of one Crimean Tatar family. Their story concentrates, as in a lens, the extensive experience of people living under occupation. The difficulties, which affect this family, are experienced by the larger community and evolve extreme emotions. The main motive of the film is not the regime and the occupation itself, but its consequences, how it affects the lives of ordinary people who simply want to live, to love and to have a family.

No synopsis available yet.

No synopsis available yet.