Sachiko Kobayashi

When his wife, the outspoken feminist Miyuki Takeda, announced that she was leaving him in order to find herself, Kazuo Hara began this raw, intensely personal documentary as a way to both maintain a connection to the woman he still cared for and to make sense of their complex relationship. Granted at times shockingly intimate access to Miyuki’s personal life, Hara follows her wayward journey toward liberation as she explores her sexuality with both men and women, becomes pregnant and raises a family as a single mother, and grows increasingly disenchanted with the constraints of traditional social structures.

When his wife, the outspoken feminist Miyuki Takeda, announced that she was leaving him in order to find herself, Kazuo Hara began this raw, intensely personal documentary as a way to both maintain a connection to the woman he still cared for and to make sense of their complex relationship. Granted at times shockingly intimate access to Miyuki’s personal life, Hara follows her wayward journey toward liberation as she explores her sexuality with both men and women, becomes pregnant and raises a family as a single mother, and grows increasingly disenchanted with the constraints of traditional social structures.

Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the truth behind atrocities committed by Japanese military, in particular the unexplained killing of two Japanese privates in his unit.

When her husband is hospitalized with tuberculosis, Chika has a series of three relationships: with a teacher in her hometown, with a student in Tokyo, and with an aging gangster.

When her husband is hospitalized with tuberculosis, Chika has a series of three relationships: with a teacher in her hometown, with a student in Tokyo, and with an aging gangster.

This film is about a lawsuit seeking state compensation for asbestos-related damage in the Sennan area of Osaka. Filmmaker Hara Kazuo records the eight-year struggle of the plaintiffs and their lawyers. A dogged and dramatic depiction of their intense battle.

A profile of the controversial novelist Mitsuharu Inoue, filmed during the last years of his life.

Kazuo Hara follows the lives and activities of Yokota Hiroshi and Yokozuka Koichi, members of an activist group made up of people with cerebral palsy.

A documentary following the lives of people in Mishima, a small island off the coast of Hagi City, Yamaguchi Prefecture.

After years of dumping industrial wastes from the factory to the ocean, Chisso Chemical Corporation contaminated the area of a small Japanese fishing village with excessive amounts of methylmercury. This highly toxic chemical bioaccumulated in fishes of the local water, which when consumed by the local populace resulted in mercury poisoning. In 1977, Minamata disease certification criteria was set by a strange method that tried not to recognize the rights of environmental disease patients. However, an Osaka court won the case for some patients because of a newly developed theory by medical doctors’ recent experiments and proofs. For decades, these patients struggled within the Japanese judicial system for their rights to receive compensation as victims of environmental disease. Those different aspects of these patients’ lives have been filmed by director Hara for the last 15 years, inspired by the late director Tsuchimoto’s documentary MINAMATA: THE VICTIMS AND THEIR WORLD (1971).

In Sennan, Osaka, which was one of the largest concentrations of asbestos in Japan, laborers worked in a harsh environment and supported Japan's economic growth. The film begins in July 2008 with the activities of the plaintiffs' lawyers in the Sennan asbestos lawsuit, and continues through the winter of 2013.