Hernán Hevia

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

A film about the Argentine opera

Isolated in his apartment, old and forgotten by almost everyone —whom, in turn, he has also forgotten— Rafael occupies the hours of his daily life with various rituals and repetitions.

Bruno, a young film student, discovers one night that the path he always takes to return home from university is blocked by a strange presence. A kind of dark silhouette that appears only to vanish without a trace. Every night, without exception, the same phenomenon repeats itself. In his desperation, Bruno turns to Clara, a fellow student, who will help him unravel the mystery. Caught between an enigma that seems unsolvable and a romance overshadowed by fear, Bruno and Clara will walk together down the dark path laid before them by the shadow's appearance.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

A film about the Argentine opera

Isolated in his apartment, old and forgotten by almost everyone —whom, in turn, he has also forgotten— Rafael occupies the hours of his daily life with various rituals and repetitions.