Directing
Marcus Thompson
Known for
Directing
Credits
5 titles
Known for
NRNarrated through her diary, the story is a fictional account of Laura, a petite self-destructive and remote teenager living a drug fuelled dead-end, latch-key existence in a Southern Californian suburb.
Tell Me Why I Don't Like Mondays
—
8.0Movie adaptation of the 17th century tragedy play, originally written by Thomas Middleton and William Rowley.
Middleton's Changeling
1998
The encounter between a genie in a lamp and a wannabe star with no type of talent whatsoever triggers a series of unpredictable and mind-blowing events, shaping a satire of the entertainment world in the form of an absolutely unclassifiable underground musical.
The Biggest Thing That Ever Hit Broadway: Redux
2017
Behind the camera
NRNarrated through her diary, the story is a fictional account of Laura, a petite self-destructive and remote teenager living a drug fuelled dead-end, latch-key existence in a Southern Californian suburb.
Tell Me Why I Don't Like Mondays
—
NRNarrated through her diary, the story is a fictional account of Laura, a petite self-destructive and remote teenager living a drug fuelled dead-end, latch-key existence in a Southern Californian suburb.
Tell Me Why I Don't Like Mondays
—
NRNarrated through her diary, the story is a fictional account of Laura, a petite self-destructive and remote teenager living a drug fuelled dead-end, latch-key existence in a Southern Californian suburb.
Tell Me Why I Don't Like Mondays
—
8.0Movie adaptation of the 17th century tragedy play, originally written by Thomas Middleton and William Rowley.
Middleton's Changeling
1998
The encounter between a genie in a lamp and a wannabe star with no type of talent whatsoever triggers a series of unpredictable and mind-blowing events, shaping a satire of the entertainment world in the form of an absolutely unclassifiable underground musical.
The Biggest Thing That Ever Hit Broadway: Redux
2017
