Roberto Negri

A neo-noir set in the New York City's corrupt contemporary art world where the art dealer John Kaplan and the ruthless head of New York's mafia, Michael Rubino, fight for money, art, power and love.

Michele Anacondia is a criminal on the fringes of the Apulian mafia, whose wife pushes him to achieve more. Their only son dies in an ambush and the man kills half of a rival gang. The boss promotes him, and when his enemies set fire to his residence, he takes refuge with Michele and his wife. Michele is not satisfied: he kills the godfather and takes command of the Sacra Corona. But his thirst for blood will plunge him into madness.

A look at the controversial riot cops unit, told through the stories of three veteran cops and a young recruit.

Apulia, 1970s. Matteo is in love with Francesca, but she wants to leave provincial life behind and see the world. After four years traveling around the world, Francesca returns to her hometown to care for her sick mother, and she and Matteo rekindle their relationship.

In 35 A.D., a Roman tribune is sent to Palestine to investigate the death and possible resurrection of a certain Jesus from Nazareth.

Saint Peter, a reluctant but passionate leader, from the crucifixion of Jesus to his own. The film's first half dramatizes the New Testament's "Acts": early fear, the renewal of Pentecost, Saul's conversion, the decision to baptize pagans, and the Apostles' dispersal. In the second half, an aged Peter goes to Rome to join Paul, arriving on the day of Paul's arrest. Paul's death brings a crisis to Rome's Christians and to Peter; lessons from Jesus's teachings guide his decision to stay. Events within the fictive household of Persius, a Roman aristocrat, capture the upheaval that Christian teachings bring to the Eternal City.

Matteo is an ordinary young man muddling through odd jobs, friendships, nights at the bar, and struggles with money, identity, and his parents. When his girlfriend, Stefania, becomes pregnant, they mutually decide not to keep the baby and to part ways. Three years later, Matteo discovers that the child was actually born and is named Davide. His relationship with his son, a new job, and an attempt to build a family lead Matteo to discover that he is a different person than the one he had always believed himself to be.

Fragment from Adaghietto from 5th Symphonie by Gustav Mahler.