
Writing
Tharindu Jayarathna
Born
1993-05-06 (33)
Known for
Writing
Credits
6 titles
Tharindu Jayarathna is a filmmaker and film critic known for his work in cinema. He studied at the Digital Film Academy in Sri Lanka and has created notable films such as "Phoenix" (2017) and "This is Not Evolution" (2016). His films have received recognition at various film festivals, and he is also a respected film critic.
Known for
NRa middle aged man visits a brothel house where he encounters his estranged married daughter as a sex worker. He and his daughter faces an identity crisis as they attempt to suppress their hidden desires towards each other.
Phoenix
2017
This psychological drama centers on a young man and a young woman living in the same annex, whose lives mirror each other in reverse traditional roles. The man stays at home wearing women's clothing and managing the household, while the woman endures the external pressures of work, family, and society. Both characters experience severe mental distress from failing to meet societal expectations. Overwhelmed by the inability to live authentically, the young man begs the young woman to end his life. In a surreal climax, she stabs him, but it is she who bleeds, resulting in both of their deaths. The story concludes with a provocative twist, questioning whether the two characters were separate individuals or merely two contrasting halves of the exact same soul.
Ko(e)llek
—
NR‘A WoMan’ is an intimate psychological portrait of a closeted transgender man living in a society that does not afford him the opportunity to transition. Confined to a small room, he navigates the painful friction between who he is and who he is forced to be. His internal struggle takes a physical, surreal form: the man he actually is manifests in his space as a separate being. Living alongside this inner persona, his daily routines become a quiet battleground for identity and survival. The film uses its minimalist, claustrophobic setting to explore the profound grief of dysphoria, the weight of societal erasure, and the fragile thresholds of a fractured self.
A WoMan
—
Behind the camera
NRa middle aged man visits a brothel house where he encounters his estranged married daughter as a sex worker. He and his daughter faces an identity crisis as they attempt to suppress their hidden desires towards each other.
Phoenix
2017
NRa middle aged man visits a brothel house where he encounters his estranged married daughter as a sex worker. He and his daughter faces an identity crisis as they attempt to suppress their hidden desires towards each other.
Phoenix
2017
This psychological drama centers on a young man and a young woman living in the same annex, whose lives mirror each other in reverse traditional roles. The man stays at home wearing women's clothing and managing the household, while the woman endures the external pressures of work, family, and society. Both characters experience severe mental distress from failing to meet societal expectations. Overwhelmed by the inability to live authentically, the young man begs the young woman to end his life. In a surreal climax, she stabs him, but it is she who bleeds, resulting in both of their deaths. The story concludes with a provocative twist, questioning whether the two characters were separate individuals or merely two contrasting halves of the exact same soul.
Ko(e)llek
—
This psychological drama centers on a young man and a young woman living in the same annex, whose lives mirror each other in reverse traditional roles. The man stays at home wearing women's clothing and managing the household, while the woman endures the external pressures of work, family, and society. Both characters experience severe mental distress from failing to meet societal expectations. Overwhelmed by the inability to live authentically, the young man begs the young woman to end his life. In a surreal climax, she stabs him, but it is she who bleeds, resulting in both of their deaths. The story concludes with a provocative twist, questioning whether the two characters were separate individuals or merely two contrasting halves of the exact same soul.
Ko(e)llek
—
NR‘A WoMan’ is an intimate psychological portrait of a closeted transgender man living in a society that does not afford him the opportunity to transition. Confined to a small room, he navigates the painful friction between who he is and who he is forced to be. His internal struggle takes a physical, surreal form: the man he actually is manifests in his space as a separate being. Living alongside this inner persona, his daily routines become a quiet battleground for identity and survival. The film uses its minimalist, claustrophobic setting to explore the profound grief of dysphoria, the weight of societal erasure, and the fragile thresholds of a fractured self.
A WoMan
—
NR‘A WoMan’ is an intimate psychological portrait of a closeted transgender man living in a society that does not afford him the opportunity to transition. Confined to a small room, he navigates the painful friction between who he is and who he is forced to be. His internal struggle takes a physical, surreal form: the man he actually is manifests in his space as a separate being. Living alongside this inner persona, his daily routines become a quiet battleground for identity and survival. The film uses its minimalist, claustrophobic setting to explore the profound grief of dysphoria, the weight of societal erasure, and the fragile thresholds of a fractured self.
A WoMan
—
