Miroslav Fabri

In 1882, when Jelena Ilka Marković – the widow of Jevrem Marković, accused of participating in the Topolska Rebellion and summarily executed – attempted to assassinate King Milan Obrenović and thus avenge her husband. She was arrested, and a few months later she was found dead in her prison cell.

Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.

The day in life of a weird family. The unemployed father who has amnesia, mother who grows weed and son who sells it on the street in order to feed the family, the daughter who has succeeded as a porn-star, the elder son – an intellectual who translates Slovakian porn movies to a neighbor.

In the summer of 1991 the war broke out in Croatia. In a holiday house in Fruška Gora hills in Serbia, near the border with Croatia, a group of young people are having a birthday party. They try to have some fun and act like nothing is going on. The party is shattered by the war. They can hear the artillery, but something is also happening between them. Inevitably, some of the boys end up on the frontline and everyone of them is effected by the war that is starting to rage. "The Party" is about individual destinies of the characters trapped in isolated house in hills and surrounded by growing paranoia of the officially not yet declared war.

TV adaptation of Branislav Nusic’s famous play about the politician whose only interest is gaining personal benefits.

A surreal satire about a philosophy student who takes a job as a gravedigger while suffering an existential crisis.