Brian Ogola

A romantic comedy that brings out the intricacies and absurdities of the Nairobi dating scene.

A rookie paramedic spends 18 hours in an ambulance with a road crash victim who struggles to be admitted to any hospital.

Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.

A looming election causes a rift between Wendo and Mugeni, a young couple from embattled tribes who are plunged into a chaotic fight for their love.

When Suki’s fiancé takes her to an isolated farm to buy a goat, she immediately wants to leave, but soon realises the ancient Mugumo tree is demanding she pay back a debt she didn’t even realise she was carrying.

Lusala, adopted by an affluent Nairobi family a decade ago is imposed on to leave home and start on his own. Eager and willing at first, he makes the most of his life, until the demons from his past return, and he faces them on his own.