Andrea Noceda

An unsuccessful young actress sees at an audition her childhood idol, an actor who was famous a long time ago. She follows him until a bar where she talks to him. But what she finds has nothing to do with the icon she dreamed about.

Two strippers get ready in their dressing room while they argue about the mirrors that someone else wants to take away from them.

Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.

An unsuccessful young actress sees at an audition her childhood idol, an actor who was famous a long time ago. She follows him until a bar where she talks to him. But what she finds has nothing to do with the icon she dreamed about.

Juan and Gonzalo are journalists and long-time friends. They both enjoy a good position at the newspaper, but the ‘midday demon’ (or mid-life crisis) lurks. Especially today, when they come from a funeral where they have had to say goodbye to a former colleague. They stop for a coffee before going to work and, suddenly, Juan starts a confrontation with his friend for feeding bread to the ducks.

Juan and Gonzalo are journalists and long-time friends. They both enjoy a good position at the newspaper, but the ‘midday demon’ (or mid-life crisis) lurks. Especially today, when they come from a funeral where they have had to say goodbye to a former colleague. They stop for a coffee before going to work and, suddenly, Juan starts a confrontation with his friend for feeding bread to the ducks.

Two strippers get ready in their dressing room while they argue about the mirrors that someone else wants to take away from them.

Two strippers get ready in their dressing room while they argue about the mirrors that someone else wants to take away from them.