Rosemary Hochschild

Acting

Rosemary Hochschild

Known for

Acting

Credits

18 titles

Known for

Supergirl poster
7.3

Twenty-four-year-old Kara Zor-El, who was taken in by the Danvers family when she was 13 after being sent away from Krypton, must learn to embrace her powers after previously hiding them. The Danvers teach her to be careful with her powers, until she has to reveal them during an unexpected disaster, setting her on her journey of heroism.

Supergirl

2015

Desperately Seeking Susan poster
6.1

A bored New Jersey suburban housewife's fascination with a free-spirited woman she has read about in the personal columns leads to her being mistaken for the woman herself and into a chaotic adventure of amnesia and self-discovery.

Desperately Seeking Susan

1985

The Queen of Hollywood Blvd poster
4.9

On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.

The Queen of Hollywood Blvd

2018

Wild in Blue poster
4.2

A story about a madman with a movie camera. He's a narcissist, nihilist, sexual sadist and killer of innocent women. His name is Charlie and WILD IN BLUE is his world: a place of evil, violence and perversion where only his camera tells the truth. He set out to make an honest film for you - no lies whatsoever - and after the madness and all the hate, you will love him.

Wild in Blue

2014

For Ladies Only poster
4.7

An aspiring young actor moonlights as a male stripper while looking for work in the theatre.

For Ladies Only

1981

Born in Flames poster
6.2

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

Born in Flames

1983

Film credits

2010s · 3 titles

1980s · 8 titles

Desperately Seeking Susan poster
6.1

A bored New Jersey suburban housewife's fascination with a free-spirited woman she has read about in the personal columns leads to her being mistaken for the woman herself and into a chaotic adventure of amnesia and self-discovery.

Desperately Seeking Susan

1985

For Ladies Only poster
4.7

An aspiring young actor moonlights as a male stripper while looking for work in the theatre.

For Ladies Only

1981

Born in Flames poster
6.2

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

Born in Flames

1983

Seven Women, Seven Sins poster
5.5

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Seven Women, Seven Sins

1986

King Blank poster
6.5

Set in a motel room at NYC's Kennedy Airport, the film treats two days in the life of a deadbeat couple, an obsessive husband lost in a web of psychotic delusion and his immigrant wife.

King Blank

1983

Empty Suitcases poster
5.1

Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema."

Empty Suitcases

1980

No artwork available
NR

A Super-8 movie based on the case of grandmother murderess Velma Barfield who was executed for murdering her husband. It was described by Tessa Hughes-Freeland in "The Underground Film Bulletin #4" as "A murderess's last testament, explicating her view of the world, of her crime, and of her punishment. Intimate, compelling and ultimately disturbing".

Last Rights

1985

No artwork available
NR

Reel 25 of Gérard Courant’s on-going Cinematon series.

Cinématon XXV

1982

Series credits

Behind the camera