Deborah Colker

Márcia Haydée is a Brazilian dancer of worldwide consecration, known as the "Callas of dance", for her great interpretive power. In her career, she performed at the Ballet of the Marquis de Cuevas (FRA), but it was at the Stuttgart Ballet in Germany under the direction of John Cranko, who in the early 1960s she became the choreographer's muse and was revealed as a great performer and dancer. In the 1970s, after Cranko's death, Márcia took over the management of the company and stayed ahead for 20 years. She worked alongside big names such as Richard Cragun, Rudolf Nureyev, Jorge Donn, Maurice Bejárt, John Neumeier.

A series foccusing the creative process of 4 young Brazilian artists: Carlinhos Brown (music), Tunga (painter), Deborah Colker (choreographer)and Alexandre Herchcovitch (fashion designer) through the eyes of director Murilo Salles.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

Singer, poet and composer of iconic songs such as "Kátia Flávia" and "Rio 40 Graus", Fausto Fawcett is also the author of five novels and several performances that reveal a vast and unique universe. Starting from real and everyday signs with roots in Copacabana, his work crosses narrative, philosophical and temporal boundaries to establish futuristic visions and sensory experiences that shake up human adventure.

For the first time ever, experience the work of a nation as it host the world and puts on a show like never before.

No synopsis available yet.

It portrays the work of Carlos Filho, Cafi, a photographer from Recife, who for more than 40 years has dedicated himself to recording a large part of the events of dance, theater and Brazilian popular music. Recordings, concerts, tours and rehearsals by important artists passed through Cafi's lens.

No synopsis available yet.

The Intrépida Trupe was created by dance, theater, music and visual arts artists, who had a passion for the circus in common. The documentary tells, through the story of Intrépida, a little about the history of the circus in Brazil.

No synopsis available yet.

Dive into the enchanting world of OVO, where a charming ladybug captures the heart of a quirky new insect in a vibrant neighborhood. This dazzling show immerses you in a bustling ecosystem brimming with life, showcasing the extraordinary adventures of insects as they eat, flutter, and court each other amidst a whirlwind of energy and emotion. When a mysterious egg appears, curiosity ignites, revealing the beautiful complexities of love and life in this hidden realm. With its stunning visuals, impressive acrobatics and heartwarming story, OVO invites you to experience the magic and wonder of nature like never before.

Dive into the enchanting world of OVO, where a charming ladybug captures the heart of a quirky new insect in a vibrant neighborhood. This dazzling show immerses you in a bustling ecosystem brimming with life, showcasing the extraordinary adventures of insects as they eat, flutter, and court each other amidst a whirlwind of energy and emotion. When a mysterious egg appears, curiosity ignites, revealing the beautiful complexities of love and life in this hidden realm. With its stunning visuals, impressive acrobatics and heartwarming story, OVO invites you to experience the magic and wonder of nature like never before.

American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times).