Luana Xavier

Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

The documentary addresses the social erasure of black female bodies based on the personal and artistic experience of 11 black women, who debate identity, collective memory, ancestry, affections and motherhood.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

Fernanda Paes Leme (herself), a famous actress and TV personality in Brazil, feels overwhelmed and unaccomplished despite her thriving career. Just as she decides to play a Hamlet adaptation to find a lost sense of meaning, she has her social media accounts stolen by an identical doppelganger. Business flourishes as a quarantined Fernanda investigates who stole her identity and why, as she tries to redefine herself personally and professionally.

With his mom's salon on the brink of bankruptcy, a dedicated son rolls up his sleeves to help and discovers himself as the coolest barber on the block.

Inspired by the phrase of the American activist Angela Davis – “When the black woman moves, the whole structure of society moves with her” -, the documentary tells the story of three black women whose personal trajectories are intertwined with laws that transformed their lives and those of countless Brazilian citizens.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

Mina (Priscila Fantin) is arrested for defrauding the Social Security and beyond to defend the other inmates need to escape from the prison director of surveillance (Tuca Andrada). The crime involved a Senator (Antonio Calloni), trying in every way to prevent your participation to surface.