Carlos Costa

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

Maria de Noronha, at 13 years old, suffers from high fevers and violent hemoptysis caused by a ruthless tuberculosis. To alleviate the pain, she gathers poppies from her garden and, at night, places them on her bed pillows. But the poppies have a devastating effect. Her deep sleep is invaded by ghosts and hallucinations: the luxury and decadence of the Portuguese 16th century. A broken nation, occupied by strangers.

A crime drama based on the life of a woman who lived for years with a man that was the head of a corruption network in the Portuguese football world.

Trafaria changes his business to Angola, in search of a more profitable occupation, by shaming the pioneers. There he engages in the obscure social and political environment, from which emerge some characteristic figures - administrators, their wives and secretaries, Arabs, police officers, priests and mercenaries...