Alejandro Maci

No synopsis available yet.

It tells the story of Marcos and Ana, who have been married for more than 25 years, but enter into an existential crisis that leads them to separate. The life of singles seems fascinating and exciting at first, but soon it also becomes monotonous for her and nightmarish for him.

María Luisa Bemberg was born into the highest echelons of Argentina’s society. Her family founded Quilmes, the nation’s biggest brewery, which expanded into a multinational. Bemberg, home-schooled by the best teachers and tutors, grew up in a social bubble. And she never made a secret of this, in as far as many of her films are set in the upper classes of different eras and narrate the politics of their respective periods through the prism of female opportunity, or the lack thereof – what could a woman do, behaviour in extramarital affairs included? Class, more often than not, was a trap, even if it might offer opportunities that many are denied. With María Luisa Bemberg: El eco de mi voz, Alejandro Maci paints a detailed and multifaceted picture of Argentina’s greatest female filmmaker, in which family and colleagues get their say as much as Bemberg herself, thanks to myriads of private and public recordings.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

A 17th-century Mexican nun defies expectations by becoming a renowned intellectual and writer during the Spanish Inquisition.

No synopsis available yet.

María Luisa Bemberg was born into the highest echelons of Argentina’s society. Her family founded Quilmes, the nation’s biggest brewery, which expanded into a multinational. Bemberg, home-schooled by the best teachers and tutors, grew up in a social bubble. And she never made a secret of this, in as far as many of her films are set in the upper classes of different eras and narrate the politics of their respective periods through the prism of female opportunity, or the lack thereof – what could a woman do, behaviour in extramarital affairs included? Class, more often than not, was a trap, even if it might offer opportunities that many are denied. With María Luisa Bemberg: El eco de mi voz, Alejandro Maci paints a detailed and multifaceted picture of Argentina’s greatest female filmmaker, in which family and colleagues get their say as much as Bemberg herself, thanks to myriads of private and public recordings.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

This special will lift the curtain to showcase the work of both onscreen and offscreen talent behind the Star+ original series, “Santa Evita.” Exclusive interviews and footage will transport viewers backstage as they learn how the directors, writers, actors and actresses, and the production team brought Tomás Eloy Martínez’s novel to the small screen.

Years passed, and China Zorrilla's artistic children never met again. Her death closed an era. What remains in our memory is the jazz of her inventions and the legacy of an artist who forged new paths, amidst both delusions and prohibitions.