Luca Lucchesi

Gianni’s world is turned upside down when a film director contacts him after finding a series of his childhood slides at a flea market and decides to make a film about them. As his past comes to life on the screen, the boundaries between truth, memory and fiction become increasingly blurred.

In Siculiana, a small Sicilian town full of flaking facades, religiosity is lived out as a matter of course. And of course the figure of Jesus Christ worshipped here is black, and always has been. However, some people cannot get used to their dark-skinned neighbours in the refugee camp. The camera accompanies locals and stranded people along their paths, which often lead to the church, but not necessarily together, and draws a kind of map of the city in black-on-black contrasts.

Gianni’s world is turned upside down when a film director contacts him after finding a series of his childhood slides at a flea market and decides to make a film about them. As his past comes to life on the screen, the boundaries between truth, memory and fiction become increasingly blurred.

Gianni’s world is turned upside down when a film director contacts him after finding a series of his childhood slides at a flea market and decides to make a film about them. As his past comes to life on the screen, the boundaries between truth, memory and fiction become increasingly blurred.

Gianni’s world is turned upside down when a film director contacts him after finding a series of his childhood slides at a flea market and decides to make a film about them. As his past comes to life on the screen, the boundaries between truth, memory and fiction become increasingly blurred.

In Siculiana, a small Sicilian town full of flaking facades, religiosity is lived out as a matter of course. And of course the figure of Jesus Christ worshipped here is black, and always has been. However, some people cannot get used to their dark-skinned neighbours in the refugee camp. The camera accompanies locals and stranded people along their paths, which often lead to the church, but not necessarily together, and draws a kind of map of the city in black-on-black contrasts.

In Siculiana, a small Sicilian town full of flaking facades, religiosity is lived out as a matter of course. And of course the figure of Jesus Christ worshipped here is black, and always has been. However, some people cannot get used to their dark-skinned neighbours in the refugee camp. The camera accompanies locals and stranded people along their paths, which often lead to the church, but not necessarily together, and draws a kind of map of the city in black-on-black contrasts.