Jerome Robbins

Documentary attached to the 50th anniversary MGM Blu-ray collection of "West Side Story" (1961). Details how this successful stage production was reared and molded into a beautiful cinematic one. Deep-dives into Jerome Robbins' choreography and Leonard Bernstein's score-making processes.

As the world prepares to celebrate the 60th anniversary of West Side Story in 2017, dancer Bruno Tonioli and broadcaster Suzy Klein go in search of the true stories behind the inception of this classic show. For the first time on television, they hear first-hand from those involved in the show when it opened on Broadway in September 1957, including Sondheim himself, producer Hal Prince and original cast members from both show and movie, including Chita Rivera Carol Lawrence and Rita Moreno. With the BBC Symphony Orchestra and specially cast singers, we re-live some of the wonderful music and, in the company of Suzy and Bruno, we discover how West Side Story placed the 1950s phenomena of racial tension and teenage gangs centre stage to create a hit that changed musical theatre forever.

Born Jerome Wilson Rabinowitz, Jerome Robbins was a dancer and choreographer. Starting his career as a modern dancer, he began to appreciate the technique involved in ballet, the two which he merged in his choreography, especially in musical theater. In his choreography, he was renowned for injecting personality into each individual dancer's role and integrating dance not only into the storyline but into the everyday movement of the character. His primary interest was in telling American stories through dance. Robbins was conflicted about his homosexuality and he had relationships with both men and women. His first long-term gay relationship was with Montgomery Clift in the late 1940s when Clift was a young actor on Broadway which ended when Clift received a Hollywood contract.

A documentary about ballet in the US, and Jerome Robbins work.

Warren Sonbert described Divided Loyalties as a film 'about art vs. industry and their various crossovers.' According to film critic Amy Taubin, "There is a clear analogy between the filmmaker and the dancers, acrobats and skilled workers who make up so much of his subject matter." -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

In Manhattan’s Upper West Side, rival gangs of Polish-Americans and newly arrived Puerto Ricans clash for control of the neighborhood, even as two young members from opposite sides fall dangerously in love.

In this magical tale about the boy who refuses to grow up, Peter Pan and his mischievous fairy sidekick Tinkerbell visit the nursery of Wendy, Michael and John Darling. With a sprinkling of pixie dust, Peter and his new friends fly out the nursery window and over London to Never-Never Land. The children experience many wonderful and exciting adventures with the Lost Boys, Tiger Lily's Indian tribe, and Peter's arch enemy the dastardly pirate Captain Hook.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

The program was the first so-called "Television Spectacular". Ford presented the show without commercial interruption. It is believed to be the first time that Edward R. Murrow appeared on NBC in a professional capacity. Also, in 1953, it was necessary for Ford to buy time on two networks to ensure maximum coverage of US TV households - at the time, neither CBS nor NBC reached 100% of them. The famed 1953 television special celebrating the Ford Motor Company's 50th anniversary brought together two of the greatest leading ladies Broadway has ever known. The highlight of the program is Merman and Martin’s 13-minute duet medley, where they sing the songs that made them famous, plus much more. On their own, Merman sings “Alexander’s Ragtime Band” and “Mademoiselle from Armetières” and Martin performs a brilliantly comic routine about changes in fashion over the first half of the 20th century.

A documentary about ballet in the US, and Jerome Robbins work.