Freddy Olsson

Carl-Johan De Geer talks about his hometown Stockholm, how he will miss it when he's gone.

A man finds a lot of mysterious pieces that lie here and there in the city. Is that information, is it propaganda? The man finds a map and begins to follow the paths of the patches. What will he find at the end? Who is behind everything?

A writer is working on a novel about the 1900s. He poses the question if broth (in the sense of concentrate) is an adequate choice of words to describe the century.

How do you know that someone is a ghost? You can't see his legs.

Carl Johan De Geer as a boy spent some happy years with his grandmother who, even after the war, remained a firm believer in Nazism.

A hardboiled story that takes place in a far future when most things are over. What’s left is greed, cruelty, sexuality, fire and a tad of poetry.

Carl-Johan De Geer talks about his hometown Stockholm, how he will miss it when he's gone.

A man finds a lot of mysterious pieces that lie here and there in the city. Is that information, is it propaganda? The man finds a map and begins to follow the paths of the patches. What will he find at the end? Who is behind everything?

A writer is working on a novel about the 1900s. He poses the question if broth (in the sense of concentrate) is an adequate choice of words to describe the century.

How do you know that someone is a ghost? You can't see his legs.

Carl Johan De Geer as a boy spent some happy years with his grandmother who, even after the war, remained a firm believer in Nazism.

A hardboiled story that takes place in a far future when most things are over. What’s left is greed, cruelty, sexuality, fire and a tad of poetry.

A man becomes lured into a fictional game his ex-girlfriend has initiated. Sexually ensnared by her, and now realizing the fragility of the border between the real and the imagined, he begins to unravel. He convinces himself that if he can only write an ending to his life story, he can regain control of his life. But playing with fiction is not an innocent game…

Five young writers have been to a party and missed the ferry home. They lend a rowboat, which has unexpected consequences. On the other shore, the police are waiting with arms drawn. This happened in 1945. This is also happening today. Inspired by Stig Dagerman and Franz Kafka. —Jonas Selberg Augustsén

Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.

The narrative portrays a plain man who guides the viewer through his life in a bleakly stylised world.

The neurotic director Max Karlsson tries to do a film of Goethe's "Die Leiden des jungen Werthers". He finds all actors for his melodrama - except Lotte, the wonderful girl who is an object of two mens love. He auditions a number of girls. But when he finds the right one nothing goes the way he had figured.

A man returns to his childhood cabin, but something is not right. By reconstructing the series of events he tries to understand how his parents’ couch wound up in the yard, why the walls of the bedroom are pink and how his holiest of childhood memories has been corrupted by someone with no sense of limits. - Annie Karlsson

A brilliant psychology professor suffers from a Don Juan complex, which leads him to do everything he can to seduce every woman who crosses his path.

A woman gets locked in the office for a whole night and is offered late take off and spend a peaceful and peaceful time in the woods.

No synopsis available yet.

Why are gooseberries so much more valuable than deer trees and why did the Sami men lay naked on the marsh in the past? How do you respond to a mock execution and what is actually panic attack? Ella and Moa are two girls with more questions than answers and during a summer night they approach a little cautiously of their Sami origin. —Jonas Selberg Augustsén