Carolina Amaral

No synopsis available yet.

In a family-run hotel near the northern coast of Portugal, several women from the same family, spanning different generations, live together. Their relationship, poisoned by bitterness, struggles to survive in the decaying hotel. The unexpected arrival of a granddaughter in this claustrophobic space provokes turmoil and rekindles latent hatreds and accumulated resentments.

#NoFilter follows the life of two friends who, after finishing university, try to find their place in the world.

Filmmaker Gus Van Sant steps into the shoes of a stage play director for the first time. A glimpse into his creation process and his adaptation to the theatrical language, as he puts together a musical show about Andy Warhol, in Lisbon.

No synopsis available yet.

Ruy Duarte de Carvalho, poet and novelist, finds out that his father left papers in the Namib desert that would help him shed light on a mystery that occurred in 1923. Through his search, he embarks on an epic tale that goes from the turn of the 19th century to the end of the 20th, in the magnificent Angolan south.

A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

Amadeo: a mysteriously restless and indefatigable man as if always sensing brevity of the time he had left. An artist out of definition, whose painting questions the painting itself, indomitable, scandalous and misunderstood. For being «Infinitely» according Almada, is someone who never had the time within him. How many lives are there in Amadeo de Souza Cardoso’s brief life?

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Forget everything, or recover memory and remember. Let yourself fall and stop, or return to life and start again. Adrift, lost face-to-face, two women confront their fates. Is there not just one thing worth saving? Without hesitation, the desire to live, that rebellious fury that takes no heed of risks. And how do you save a world where poetry has disappeared?

Portugal, 1968. Salazar, the fascist dictator who reigned the longest time in the world, falls from a chair and suffers a stroke. When he returns to the São Bento mansion to convalesce, he is no longer President of the Council. But no one tells him the truth: not his faithful housekeeper Maria de Jesus, nor his maids Aparecida, Socorro, and Teresinha, nor his personal doctor. For two years he lives under a meticulously constructed illusion, believing he is still President, until his death in 1970.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

I am the double of the shadow of my own image. An allegory that occupies my place. This is my act of contrition. Beyond good and evil, I stand as an equation: Its result cannot be manipulated By morals or ethics. In mathematics there is no place for beliefs Just as life and death Are a certain fate.

An adaptation of the short story with the same name by Portuguese writer Eça de Queiroz.