Amanda Devulsky

A self-employed worker faces financial and emotional problems. Without any decent opportunities, he creates a channel on YouTube as an attempt to monetize on his own failures while takes precarious jobs in huge corporations.

No synopsis available yet.

No synopsis available yet.

At a time when Brazil was becoming a democracy (1985-1995), four women — Jô, Eunice, Alessa and Fabiana — became mothers while still in their teens. Political evolution and the abrupt entry into adulthood and motherhood are mixed in a film that shows their domestic space, built from personal archives, as well as contemporary images, filmed by the protagonists in 2018, during the election campaign of Jair Bolsonaro.

The noise from the parking lot #11 echoes in the park. It's nice to be able to count on you.

In the interiors of somewhere, four nameless female characters record themselves in epistolary fragments. “Body or surface?” they might ask the camera or themselves. A film that touches on the relationship between image, self-image and the loneliness of a generation of romantic girls who are no longer that young.

A self-employed worker faces financial and emotional problems. Without any decent opportunities, he creates a channel on YouTube as an attempt to monetize on his own failures while takes precarious jobs in huge corporations.

No synopsis available yet.

No synopsis available yet.

At a time when Brazil was becoming a democracy (1985-1995), four women — Jô, Eunice, Alessa and Fabiana — became mothers while still in their teens. Political evolution and the abrupt entry into adulthood and motherhood are mixed in a film that shows their domestic space, built from personal archives, as well as contemporary images, filmed by the protagonists in 2018, during the election campaign of Jair Bolsonaro.

The noise from the parking lot #11 echoes in the park. It's nice to be able to count on you.

In the interiors of somewhere, four nameless female characters record themselves in epistolary fragments. “Body or surface?” they might ask the camera or themselves. A film that touches on the relationship between image, self-image and the loneliness of a generation of romantic girls who are no longer that young.

No synopsis available yet.