Vincenza Modica

In the years between WWI and the rise of Fascism, legendary thespian Eleonora Duse shocks everyone by getting back onstage at over 60 years of age. Struggling with the brutality of historical events unfolding and clinging to the possibility of utopia, she makes her art a revolutionary act, even at the cost of sacrificing health and affection—facing her final journey aware she could give up life itself, but not her own true nature.

Based on actual events, this is the story of a young woman who meets the terrorist who murdered her father, a policeman, who died when she was just born.

A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

Tough, gripping drama about a committed, principled priest taking on the Mafia and risking his life in a poverty-stricken parish in Naples.

Maria, a young Neapolitan painter, lives the artistic experimentation of the 1960s. She is a woman who does not hesitate to live her life adhering to the ideals of research and love, which are for her the very content of art.

Vento Di Terra (wind of the earth) is an Italian film about an 18 year old boy (Vicenzo Pacilli) from a poor suburb of Napoli, Italy who finds himself burdened by expectations of supporting his mother after his father dies from an unexpected heart attack. Working in a blue-collar factory job, Vince soon finds that he does not have enough money to support himself, let alone his frail recently widowed mother. His sister departs to Cassano to finally end her employment drought by getting a job in the local FIAT factory. Vince is left alone to support his mother. He gets involved in a heist, and then out of guilt confesses his sin to a close family friend, who suggests he joins the Italian army. In the army Vince meets a new found friend through his training period, and they are soon deployed together to the war torn state of Kosovo in the Former Yugoslavia, where he is exposed to the brutality of war.

The young Carabiniere Gatta is sent to barracks in the Naples area. It's 1946 and the war is still hanging in the air even if the small community doesn't seem to have been affected that much by it. Even so, certain suspicions take root in the brigadier's mind. The hotel in the town was the setting for unexplained deaths and crimes that had been covered up. Gatta decides to investigate. Fragments begin to emerge, killers and their victims take shape and speak to each other from different times. There's the hotel owner, a grief-striken mother, a weak son and long-suffering sister, an orphan and two woman who were violently killed. Pain, indifference and shame cast a shadow over everything.

Giuseppe M. Gaudino made his directorial debut with this experimental film portrait contrasting the ancient Roman empire with poverty in present-day Naples. The film's narrator introduces the ancient town of Pozzuloi, home to Nero, his mother Agrippina, the Sibyl of Cumae, and Christian martyr Artema. This historical drama is intertwined with a modern-day story of a poverty-stricken family, forced by earthquakes during the '70s to move to the country, a devastating blow to the close-knit family. After a 1997 Venice Film Festival screening at 125 minutes, the filmmakers announced their plans to re-edit to a shorter running time. Also known as Moonspins Between Land and Sea.

Mario Martone films the eponymous stage show by Enzo Moscato.