Bob Hornery

Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.

Britannia Hospital, an esteemed English institution, is marking its gala anniversary with a visit by the Queen Mother herself. But when investigative reporter Mick Travis arrives to cover the celebration, he finds the hospital under siege by striking workers, ruthless unions, violent demonstrators, racist aristocrats, an African cannibal dictator, and sinister human experiments.

A second generation cameraman in Australia finds evidence that his father had filmed a nuclear test that allowed aboriginal people to be exposed to and killed by radiation. He begins a search for a secret that if true, his government has already killed people to keep quiet.

Advertising executive Dale Hunter (Michael Muheny) works at the agency Arora. But after a car accident, his life changed abruptly. He has nightmares at night and by day he suffers from hallucinations. The world looks like from a computer. Numbers and names adhere to the objects. A doctor can not help him and the hallucinations are getting worse. Librarian Wendy seems to be the only person he can trust. Together they try to find out the truth.

After the TARDIS collides with a spacecraft delivering human tributes to the evil bull-like Nimon, the Doctor and Romana must stop the fearsome alien's quest to rule the galaxy.

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.