Olga Mandrikova Lanceray

This film is a metaphor for who we are, for where we come from? A secret held in the abyss. To read the message - through fear and prejudice, from imitation to communion, from meditation to movement. Dance to the horizon - from points of no return. The irony of our metamorphosis - in order to grow, the seed must die.

This film is a choreographic response to the Black Square by Kazimir Malevich. This piece of art won worldwide fame as a Manifesto of Suprematism, one of the brightest areas of the Russian avant-garde. Black Square was painted in 1915 as scenery for opera performance. From that moment and for the next 100 years Suprematism defines a new language of art, in its various forms: non-figurative painting, modern architecture, industrial design, fashion, book graphics and scenography. The film is dedicated to the 100th anniversary of the Black Square, the main content of which is energy. A replica of this masterpiece of non-objectiveness is the energy of dance.

This film is a metaphor for who we are, for where we come from? A secret held in the abyss. To read the message - through fear and prejudice, from imitation to communion, from meditation to movement. Dance to the horizon - from points of no return. The irony of our metamorphosis - in order to grow, the seed must die.

This film is a choreographic response to the Black Square by Kazimir Malevich. This piece of art won worldwide fame as a Manifesto of Suprematism, one of the brightest areas of the Russian avant-garde. Black Square was painted in 1915 as scenery for opera performance. From that moment and for the next 100 years Suprematism defines a new language of art, in its various forms: non-figurative painting, modern architecture, industrial design, fashion, book graphics and scenography. The film is dedicated to the 100th anniversary of the Black Square, the main content of which is energy. A replica of this masterpiece of non-objectiveness is the energy of dance.