Esteban Perroud

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

At night a traveling flash runs through the streets of Buenos Aires hell, illuminating even the most remote roads. It's easy to mistake it for an angel. Its light, volatile step numbs the city and condenses the glances. It takes refuge in subways and tunnels under the ground. It comes off time. It tempts the dead to come back. It is The Light. The comfort of the homeless.

A young libertine priest and a deranged actress fall passionately in love. When she introduces him to a world of narcotics and madness and subsequently disappears, he spirals into despair, committing a series of murders that leave him magnetized.

An armed young woman and a poet with a strange physical condition live in a house disconnected from the outside world. One day, a knife sharpener rings the doorbell and falls in love with the girl at first sight. The poet believes that it is death coming for him. When she becomes pregnant and her son is born, the young woman returns to her mother's house, a lady with serious mental problems.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."