
Directing
Lyudmila Stanukinas
Born 1930-11-25 · Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia]
Acting credits
Behind the camera
NRThe following guests take part in the music concert-documentary: Rosa Rymbaeva, Dmitry Pokrovsky folklore Ensemble, Elena Kamburova, Alla Pugacheva, Bulat Okudzhava and the Nergebi children's vocal ensemble from Georgia.
The Golden Record
1983
A film portrait of 12-year-old violin prodigy Vadik Repin, winner of numerous international music competitions.
Vadik Repin
1984
NRThe film observes and records the people travelling, adding to this very simple but effective visual set a pure (and magic) pot pourri of designed and recorded voices and sounds. Hereby not only the people become human beings alive, but also the city awakens.
A Tram Runs Through the City
1973
NRAlisa Freyndlikh in a rush — there isn't a single calm, free minute. Rehearsals, discussions of roles with Igor Vladimirov, her daughter Varya's birthday, daytime and evening performances, meetings with the audience...
Alisa Freyndlikh
1979
NRThis poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.
Your Very Personal Poetry
1982
NRThis is a story about how a family with many children moves into a new apartment in a newly constructed apartment building. The film “Moving Day” won a Silver Dragon Award at the 7th Krakow Film Festival. The jury’s decision stated: “For the warm and soulful relationship between the director and subjects of the film, expressed in a laconic form.”
Moving Day
1970
