Peter Walmsley

Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.

As the UK begins its military engagement in the Falklands, a BBC news journalist attempts to climb up from his working-class roots, at any cost, lying to those around him to get what he wants, only to discover that he is the recipient of a deception far more clever than his own.

The bitter Trojan War drags on - the Greeks blame Achilles' apathy for low morale, while Troy's hero Hector challenges one of the enemy to a personal duel. And after her father exchanges Cressida for a Trojan prisoner, the war becomes personal for her distraught lover Troilus.

A warp ellipse draws the TARDIS off course. The Fifth Doctor's companions are separated from him not in space, but in time, and he has to deal with a treacherous schoolboy named Turlough. But why does the Doctor's old friend, the Brigadier, not remember him at all?

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

Three promotional films by The Smiths directed with an artistic and conceptual vision by the late director Derek Jarman. The result is the junction of the powerful lyrics and melodies by Morrissey and Marr combined with Jarman's expressive images. The music videos: 1) The Queen Is Dead 2) There Is a Light That Never Goes Out 3) Panic