Jung Ha-rin

Prospective writer Aeng-Doo lives with So-Young, Yoon-Jin and Na-Eun. Aeng-Doo and her 3 friends do not have much in common except that they all don't have boyfriends. One day, Aeng-Doo happens to find a rejected work from an annual spring literary contest on the street. Since then, the lives of Aeng-Doo and her 3 friends begin to slowly change.

Director Kim hasn't made a film in a decade. The lead of her first short appears as a spirit: "You stopped filming—and I aged." Betting her life savings on a 77-minute feature, she searches for a vanished actress. Reality and fantasy blur until the God of Film appears... "Why do I love you?"

Prospective writer Aeng-Doo lives with So-Young, Yoon-Jin and Na-Eun. Aeng-Doo and her 3 friends do not have much in common except that they all don't have boyfriends. One day, Aeng-Doo happens to find a rejected work from an annual spring literary contest on the street. Since then, the lives of Aeng-Doo and her 3 friends begin to slowly change.

Prospective writer Aeng-Doo lives with So-Young, Yoon-Jin and Na-Eun. Aeng-Doo and her 3 friends do not have much in common except that they all don't have boyfriends. One day, Aeng-Doo happens to find a rejected work from an annual spring literary contest on the street. Since then, the lives of Aeng-Doo and her 3 friends begin to slowly change.

Prospective writer Aeng-Doo lives with So-Young, Yoon-Jin and Na-Eun. Aeng-Doo and her 3 friends do not have much in common except that they all don't have boyfriends. One day, Aeng-Doo happens to find a rejected work from an annual spring literary contest on the street. Since then, the lives of Aeng-Doo and her 3 friends begin to slowly change.

Director Kim hasn't made a film in a decade. The lead of her first short appears as a spirit: "You stopped filming—and I aged." Betting her life savings on a 77-minute feature, she searches for a vanished actress. Reality and fantasy blur until the God of Film appears... "Why do I love you?"

Director Kim hasn't made a film in a decade. The lead of her first short appears as a spirit: "You stopped filming—and I aged." Betting her life savings on a 77-minute feature, she searches for a vanished actress. Reality and fantasy blur until the God of Film appears... "Why do I love you?"