Leonid Maizel

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

Boris Pasternak, creator of the immortal Dr Zhivago, discredited by Stalin and denied the Nobel Literature Prize by Khrushev, Pasternak's Dr Zhivago was banned in the USSR until 1988. Only now in the new spirit of freedom and reconciliation that exists the story of Pasternak can be told. The words of Pasternak are spoken by Robert Powell, with Imogen Stubbs as Lara and Olga.

A young pianist and a countryside girl fall in love in a village on a Baltic sea shore just days before the beginning of WWII.

Oleg Nazarov is a captain of a special forces unit, a sniper. But his family and friends don't know about it. Oleg carefully hides his true profession from his wife and daughter, and every time he returns from a mission, he puts on the mask of an ordinary person. Meanwhile, the city where Oleg lives is in a state of panic. The reason for this was a series of murders - every day one person is killed by an unknown gunman.

After many years in a Soviet punishment camp Sadik returns home to his village. There he must learn that his brother, who has always been a conformist follower of the Soviet system, lives with the same conformism in post-communist Turkmenistan.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?