Scot Denton

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.

In the near future, a company called Xchange owns a mind transference technology that enables instantaneous travel by swapping bodies with someone at the destination. A member of the privileged corporate class ("Corpie") Xchanging for the first time unwittingly switches bodies with a terrorist. Forced to hide in a limited life span cloned body with just 2 days remaining, he races against time to stop the terrorist and regain his body.

Joanne Kilbourn, ex-detective turned university lecturer, is still haunted by the unsolved murder of her politician husband,

Fact-based drama about a smalltown rape victim who helps the police trap her attacker who has invaded her home again and again.

An enterprising Canadian cinema operator invents the modern multi-screen movie theatre.

Three young children accidentally release a horde of nasty, pint-sized demons from a hole in a suburban backyard. What follows is a classic battle between good and evil as the three kids struggle to overcome a nightmarish hell that is literally taking over the Earth.

Set in the "not-so-distant future", the crew of an international space station are set to return triumphantly to Earth, until someone starts killing the other crew members.

"Here is the quintessential Hancox 'personal documentary,' a film in which both the production and role of traditional documentary and autobiographical filmmaking are thrown into question. Using his camera to record a visit out east by train to spend Christmas with the family, Hancox .... used his familiarization with the annual ritual as a form of a script... Although we see the journey through the subjective judgment of Hancox’s eyes, it is his intent to transfer the material from original event to camera, to editing, and finally to the audience, so that the personal content of the film... becomes universal.” Michael Wade, Ontario Film Studies, Cinema Parallel “It is the honesty of portrayal which is staggering, for instead of an idyllic image which many filmmakers present of themselves, Hancox presents (and thus, sees) himself without cinematic make-up... with ‘wild sync’ sound (reminiscent of an early film), and with the use of only available natural light.” Richard Stanford

Reflexive piece satirizing the formulaic structure of melodrama where the filmmaker and actors explain the cinematic techniques as they are happening (actually instead of them happening).