Zainab Hasan

In the sweltering Arabian Gulf heat Ananda’s dreams of a better life than the one she left behind in India are shattered after her child is forgotten on a school bus. Armed with the dead child’s ashes, she stands up against society’s ‘invisible’ caste, demanding accountability and refusing the customary blood money.

Children lie. But when one lie threatens Ms Lawson’s integrity as a teacher, can she keep on defending a student as peculiar as Maria Obasi?

Two women named Mary -- both recently sexually assaulted by the same man -- meet at the police station and enter into the world that victims of assault have to endure, guided by a police constable and his colleague. As the action unfolds, it is commented on by the Furies -- a chorus of murdered women seen and heard only by the viewer. Flashes of wit and humour temper a dark and difficult subject.

Phyllida Lloyd’s final installment of the Donmar Shakespeare Trilogy concludes with an all-female version of The Tempest starring Harriet Walter as Prospero. This captivating reimagining explores themes of freedom and justice in the context of a women’s prison.

Harriet Walter takes the lead in the second installment of the Donmar Shakespeare Trilogy directed by Phyllida Lloyd. Featuring a diverse company of women, this unique interpretation combines both parts of Shakespeare’s history plays about King Henry IV and his son Prince Hal.

The first installment of Phyllida Lloyd’s groundbreaking all-female Shakespeare Trilogy sees Harriet Walter take on the role of Brutus, who wrestles with his moral conscience over the murder of Julius Caesar.

On her daughter’s birthday, Kulsoom finally leaves her flat. Cut off from the world, a series of simple errands spirals into an everyday odyssey that shakes her as she struggles to find her way home.