Renée Nader Messora

Through her child’s eyes, Patpro will go through three periods of the history of her indigenous people, in the heart of the Brazilian forest. Tirelessly persecuted, but guided by their ancestral rites, their love of nature and their fight to preserve their freedom, the Krahô never stop inventing new forms of resistance.

Argentina Short film

Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.

Russa returns to Bairro do Aleixo, in Oporto, visiting her sister and friends with whom she celebrates her son's birthday. In this short encounter, Russa returns to her neighbourhood's collective memory, where three of the five towers still exist.

The Mentuwajê Guardians of Culture (a group of young Krahô filmmakers) invite the Beture Collective (Mebêngôkre-Kayapó) to visit their village and attend the Kêtwajê festival – an important initiation ritual that has not taken place for ten years. Over the course of several days, children and adolescents undergo various “tests” to transform into adult warriors, under the watchful and shared gaze of the local filmmakers and the Mebêngôkre-Kayapó guests.

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

Through her child’s eyes, Patpro will go through three periods of the history of her indigenous people, in the heart of the Brazilian forest. Tirelessly persecuted, but guided by their ancestral rites, their love of nature and their fight to preserve their freedom, the Krahô never stop inventing new forms of resistance.

Through her child’s eyes, Patpro will go through three periods of the history of her indigenous people, in the heart of the Brazilian forest. Tirelessly persecuted, but guided by their ancestral rites, their love of nature and their fight to preserve their freedom, the Krahô never stop inventing new forms of resistance.

Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.

Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.

Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.

Russa returns to Bairro do Aleixo, in Oporto, visiting her sister and friends with whom she celebrates her son's birthday. In this short encounter, Russa returns to her neighbourhood's collective memory, where three of the five towers still exist.

Russa returns to Bairro do Aleixo, in Oporto, visiting her sister and friends with whom she celebrates her son's birthday. In this short encounter, Russa returns to her neighbourhood's collective memory, where three of the five towers still exist.

The Mentuwajê Guardians of Culture (a group of young Krahô filmmakers) invite the Beture Collective (Mebêngôkre-Kayapó) to visit their village and attend the Kêtwajê festival – an important initiation ritual that has not taken place for ten years. Over the course of several days, children and adolescents undergo various “tests” to transform into adult warriors, under the watchful and shared gaze of the local filmmakers and the Mebêngôkre-Kayapó guests.

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.