Bobby Bărbăcioru

After a car accident and stranded in the middle of nowhere, an ex-con and his daughter find themselves in an abandoned hotel, populated by sub-human cannibalistic creatures.

Two brothers, trying to make sense of a world gripped by a pandemic, grasp at anything to increase their chances of survival.

Brothers Max and Gelu are determined to survive the COVID-19 pandemic currently sweeping Italy. The two return to their native Romanian village, where they think they will be safe. Regardless of costs or means, Max and Gelu will gain immunity to the virus...

Mircea is a troubled Romanian writer struggling with a deadline to complete his novel. An obnoxious, loud, and possibly dangerous man, Boris, moves into the apartment across the hall with his own deadline of excess and self-destruction. Unable to work, Mircea storms across the hall to confront Boris. In confronting this madman, he may very well be confronting his own sanity all under the watchful eye of Death Herself.

There is a place, a world, that film creates; somewhere between the harsh lines and light of reality, and the soft warm flickering of the projector. Many people enter. Some never return.

After a car accident and stranded in the middle of nowhere, an ex-con and his daughter find themselves in an abandoned hotel, populated by sub-human cannibalistic creatures.

After a car accident and stranded in the middle of nowhere, an ex-con and his daughter find themselves in an abandoned hotel, populated by sub-human cannibalistic creatures.

Two brothers, trying to make sense of a world gripped by a pandemic, grasp at anything to increase their chances of survival.

Two brothers, trying to make sense of a world gripped by a pandemic, grasp at anything to increase their chances of survival.

Brothers Max and Gelu are determined to survive the COVID-19 pandemic currently sweeping Italy. The two return to their native Romanian village, where they think they will be safe. Regardless of costs or means, Max and Gelu will gain immunity to the virus...

Brothers Max and Gelu are determined to survive the COVID-19 pandemic currently sweeping Italy. The two return to their native Romanian village, where they think they will be safe. Regardless of costs or means, Max and Gelu will gain immunity to the virus...

Brothers Max and Gelu are determined to survive the COVID-19 pandemic currently sweeping Italy. The two return to their native Romanian village, where they think they will be safe. Regardless of costs or means, Max and Gelu will gain immunity to the virus...

Mircea is a troubled Romanian writer struggling with a deadline to complete his novel. An obnoxious, loud, and possibly dangerous man, Boris, moves into the apartment across the hall with his own deadline of excess and self-destruction. Unable to work, Mircea storms across the hall to confront Boris. In confronting this madman, he may very well be confronting his own sanity all under the watchful eye of Death Herself.

Mircea is a troubled Romanian writer struggling with a deadline to complete his novel. An obnoxious, loud, and possibly dangerous man, Boris, moves into the apartment across the hall with his own deadline of excess and self-destruction. Unable to work, Mircea storms across the hall to confront Boris. In confronting this madman, he may very well be confronting his own sanity all under the watchful eye of Death Herself.

Mircea is a troubled Romanian writer struggling with a deadline to complete his novel. An obnoxious, loud, and possibly dangerous man, Boris, moves into the apartment across the hall with his own deadline of excess and self-destruction. Unable to work, Mircea storms across the hall to confront Boris. In confronting this madman, he may very well be confronting his own sanity all under the watchful eye of Death Herself.

There is a place, a world, that film creates; somewhere between the harsh lines and light of reality, and the soft warm flickering of the projector. Many people enter. Some never return.

There is a place, a world, that film creates; somewhere between the harsh lines and light of reality, and the soft warm flickering of the projector. Many people enter. Some never return.