Sophia Shek

Ruby, a Chinese American toy designer from LA, visits Hong Kong for the first time on business. Finding herself stranded, she meets Josh, an American expat who shows her the city.

When party girl Sasha Li blows through most of her trust fund, she is cut off by her father and forced to go back to China and work for the family toy business.

China has been actively interfering in the workings of the Hollywood industry for nearly two decades, so that movies are no longer made on subjects its totalitarian government does not like — free Tibet or Taiwanese independence — and prominent stars who oppose such tyranny are dispensed with: a behind-the-scenes look at how the dream machine has been totally compromised by the abusive power of a ruthless dictatorship.

Based on true events, a Hong Kong teenage girl’s first day out of juvenile detention center takes an unexpected turn.

For every emigration wave, there is always a wave of return to Hong Kong. Leaving and returning seem to be the beginning of the journey for rootless Hong Kongers. Perhaps Hong Kongers are destined to wander in a cycle of uncertainty. Emily and her fiancé Vincent immigrate to the UK with hopes of starting a new life. They will take over the home of Megan, an old classmate who has lived there for several years and decided to return to Hong Kong. The three friends roam around London and will bid farewell to each other after spending the day together. It is goodbye but it is also the start of a new journey. The director uses this film to express her own feelings after going through the same journey. She carefully inserts daily life details to show the cultural differences and reflects on the faint sadness of exchanging fates.

Jamie re-encounters his old school friend, Kevin, who has been suffering from depression, and must make a choice between following his heart or society.

Ruby, a Chinese American toy designer from LA, visits Hong Kong for the first time on business. Finding herself stranded, she meets Josh, an American expat who shows her the city.

When party girl Sasha Li blows through most of her trust fund, she is cut off by her father and forced to go back to China and work for the family toy business.

Based on true events, a Hong Kong teenage girl’s first day out of juvenile detention center takes an unexpected turn.

For every emigration wave, there is always a wave of return to Hong Kong. Leaving and returning seem to be the beginning of the journey for rootless Hong Kongers. Perhaps Hong Kongers are destined to wander in a cycle of uncertainty. Emily and her fiancé Vincent immigrate to the UK with hopes of starting a new life. They will take over the home of Megan, an old classmate who has lived there for several years and decided to return to Hong Kong. The three friends roam around London and will bid farewell to each other after spending the day together. It is goodbye but it is also the start of a new journey. The director uses this film to express her own feelings after going through the same journey. She carefully inserts daily life details to show the cultural differences and reflects on the faint sadness of exchanging fates.

Jamie re-encounters his old school friend, Kevin, who has been suffering from depression, and must make a choice between following his heart or society.

Sharon is a fast-­rising PR executive from Singapore, searching for love in Hong Kong, who may have found her dream guy, but as she chases after him online and in person, Sharon quickly finds out the dangers of stalking a secret crush.

Singer-songwriter Vincy explores the meaning of those words closest to their being: music, love, queerness, and Asian identity.

Singer-songwriter Vincy explores the meaning of those words closest to their being: music, love, queerness, and Asian identity.

An experimental journey through Seoul. “As a journey through the urban sea of Seoul, Sous L'eau is a visual experimentation describing mixed feelings of losing ground, control beyond any understanding in a radically new world. He's French, she's Korean. Seen through his foreigner's eyes, the city is an abstract ink painting. People become a flow, river at night turns into geometric glitters. The colors of the fish market bleed on the screen. Follow this encounter with a unique character in a short Korean interview. Free from a tight narrative frame and form, it is a raw expression of a traveler's losing balance. It sits at the frontier between wet kaleidoscopic landscapes and distinguishable shapes and patterns.”