Oana Iancu

Vassil (41) is a documentary film director who has not achieved the success he dreams of. He puts all his energy filming the broken relationship between a monk and his mother. Meanwhile Vassil's wife and their 14-year-old daughter take second place in his life. The director learns that the monk is in a psychiatry while his mother will have to undergo a cancer surgery. To bring them together to forgive each other is Vassil's long awaited finale of his film. He faces a dilemma to shoot "life as it is" or show human compassion and empathy.

Toma and Ana meet as students in the literature faculty, and quickly fall in love. But, because of Ana's mental illness, their relationship slowly collapses.

Caught in a tangled situation with present and former lovers, Călina tries to find purpose as both a mother and a human being on a charity trip to the frontier of a war that doesn't belong to her, but scares her less than her own.

A young novice sneaks out of her convent to deal with a matter that cannot be delayed.

Alice, a buoyant and impertinent red-hair teenager is far from the charming little girl her mother adopted as she was unable to have a child of her own. Being an endless source of problems and affected by the specter of her mother’s disappointments, Alice acts with her back against the wall, forging lies and blurring lines between the fiction she designs for herself and the reality of her existence. Until her mother discovers she is pregnant.

A solitary mountain man finds a young woman who has been beaten and abandoned in the woods. He makes her the object of his passion, but her dark past catches up on them.

Dragos Binder is doing research in order to write a fiction film based on the true event of his parents fleeing the country in the 80s communist Romania, but then he changes the subject, moving the camera lens on himself.