Art
Diogo Hayashi
Known for
Art
Credits
12 titles
Diogo Hayashi is a director, screenwriter and production designer. As a director, his films were shown at festivals in Cartagena, MixBrasil, Kinoforum, Tiradentes, among others. As an PD, he received a Candango at the 51st Brasília Film Festival for the design in the feature-length Temporada, and his films were screened at festivals such as Cannes, Berlinale, Locarno, Toronto Film Fest, NY Film Fest, London Film Fest, Brasília, and also in art museums such as Gasworks in London and Pérez Art Museum in Miami. Diogo is a Berlinale Talents Alumni and partner at Sancho & Punta.
Known for
NRThe ghosts of a 19th-century slaughterhouse haunt the Cinemateca Brasileira: where cows once died, films now end up. Montevideo's former Central Market houses the Cinemateca Uruguaya. A power plant now houses the Museo de Cine de Buenos Aires. This triptych portrays and connects three film archives through architecture and the buildings' interaction with urban life.
Tres Cinematecas
2022
Mia and Ito return to Brazil from Japan, eager to start fresh and build a family on a farm Ito inherits. But they are unaware that the land was once the site of a terrible tragedy that has left a haunting mark.
The Serpent
—
6.0A story of a polyamorous, non-binary relationship struggling to survive an epidemic of genetically modified killer mosquitos.
The Bite
2019
NRIn the depths of forgotten memories, a tormented spirit waits patiently.
Oni
2017
NRGray feelings of a woman in trouble.
Izamara
2010
3.0In the city of Cajamar, in the middle of ruined nature, lonely characters deal with the police, rodeos and mysterious fires.
Savage Fire
2017
Film credits
Behind the camera
NRThe ghosts of a 19th-century slaughterhouse haunt the Cinemateca Brasileira: where cows once died, films now end up. Montevideo's former Central Market houses the Cinemateca Uruguaya. A power plant now houses the Museo de Cine de Buenos Aires. This triptych portrays and connects three film archives through architecture and the buildings' interaction with urban life.
Tres Cinematecas
2022
Mia and Ito return to Brazil from Japan, eager to start fresh and build a family on a farm Ito inherits. But they are unaware that the land was once the site of a terrible tragedy that has left a haunting mark.
The Serpent
—
Mia and Ito return to Brazil from Japan, eager to start fresh and build a family on a farm Ito inherits. But they are unaware that the land was once the site of a terrible tragedy that has left a haunting mark.
The Serpent
—
NRIn the depths of forgotten memories, a tormented spirit waits patiently.
Oni
2017
NRIn the depths of forgotten memories, a tormented spirit waits patiently.
Oni
2017
NRGray feelings of a woman in trouble.
Izamara
2010
NRGray feelings of a woman in trouble.
Izamara
2010
3.0In the city of Cajamar, in the middle of ruined nature, lonely characters deal with the police, rodeos and mysterious fires.
Savage Fire
2017
3.0In the city of Cajamar, in the middle of ruined nature, lonely characters deal with the police, rodeos and mysterious fires.
Savage Fire
2017
3.0In the city of Cajamar, in the middle of ruined nature, lonely characters deal with the police, rodeos and mysterious fires.
Savage Fire
2017
6.0From the heart of the Amazon comes this exclusive LGBTQ+ compilation from emerging Latin American directors from Brazil and Peru. These 5 thought-provoking shorts prove that universal social themes have no borders. They are: The Last Romantics [Os Últimos Românticos] (2019); Savage Fire [Fogo Selvagem] (2017); My Only Earth Is in the Moon [Minha Única Terra É Na Lua] (2017); Sandra Calling [Sandra Chamando] (2017); Carlito Leaves Forever [Carlito se va para siempre] (2018).
Coming Clean
2020
