Writing
Frances H. Flaherty
Born 1883-12-05 · Bonn, Germany
Frances Hubbard Flaherty (December 5, 1883 – June 22, 1972) was a film writer and director known for Louisiana Story, The Land, and Moana (1926). In 1955, Flaherty founded The Flaherty Seminar, a film study center for filmmakers, curators, and students.
Acting credits
10.0Documentary about Frances H. Flaherty, responsible for still photography in her husband Robert J. Flaherty's films.
Hidden and Seeking
1971
NRRobert Gardner interviews Frances H. Flaherty about the production of The Fishermen of Aran.
Flaherty and Film
1960
NRSami van Ingen continues to explore the Flaherty film family with Cast of Shadows, which questions how much memories, images and end credits can lie.
Cast of Shadows
2025
NRFinnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
Monica in the South Seas
2023
Behind the camera
6.7Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”
Moana
1926
6.7Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”
Moana
1926
6.7Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”
Moana
1926
7.3Documentary showing the poor state that American agriculture had fallen into during the Great Depression.
The Land
1942
