Patrícia Müller

José Machado and Patrícia Müller criticize television series: two TV series in confrontation with more suggestions to watch at the end of each episode.

Júlia is approaching 30 and works as the director of a modeling agency. Single for quite some time, she is in love with Jonas. However, he is not interested in commitment and is involved with a Portuguese pastry chef, who has a fetish for lingerie.

In Alasca landscape never changes, only grows old.

He came from the city and is trying to fit in the countryside – Alentejo. His life is dedicated to picking raspberries, hunting and taking swims in the canal. She is passing through and comes from the world he wanted to leave behind. One day they meet and their attraction is immediate. But their natures prevail over all else: she is free and he's a hunter.

Based on José Eduardo Agualusa's short story "Bigger Splash," "Mergulho" depicts encounters and missed encounters in love lives, some unlikely, which are dives into life's surprises.

No synopsis available yet.

José Machado and Patrícia Müller criticize television series: two TV series in confrontation with more suggestions to watch at the end of each episode.

Júlia is approaching 30 and works as the director of a modeling agency. Single for quite some time, she is in love with Jonas. However, he is not interested in commitment and is involved with a Portuguese pastry chef, who has a fetish for lingerie.

In Alasca landscape never changes, only grows old.

He came from the city and is trying to fit in the countryside – Alentejo. His life is dedicated to picking raspberries, hunting and taking swims in the canal. She is passing through and comes from the world he wanted to leave behind. One day they meet and their attraction is immediate. But their natures prevail over all else: she is free and he's a hunter.

Based on José Eduardo Agualusa's short story "Bigger Splash," "Mergulho" depicts encounters and missed encounters in love lives, some unlikely, which are dives into life's surprises.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

This remake of the 1940 film with the same name tells the story of a theatre company, its men and women in love, mistakes and misunderstandings. Chico loves Tatão, who is courted by Artur. Graça loves Chico, but doesn't know he loves Tatão. Santana writes a play for the Grandelinhas that will serve as a guide to Chico passion and convince Tatão that he is a rich count. The play is then staged and they all end up in prison.

He has everything that the destiny wanted and that he has been able to expand: fertile lands as far as the eye can see, cattle, exceptional wines and cigars matured in the long voyages of the boats coming directly from the Caribbean, more precisely from Cuba. He enjoys all this in his rich rural house, with his wife and two children, whom he very much likes, but which sometimes interrupt him to enjoy these pleasures. The disenchantment of the passionate routine always reminds him of the fabled memories of a moment in the past when, unexpectedly, he discovered in a handmaiden the surprising elevation of passion. Until the harlot appears to her at the Estate, untouched by the past fifteen years, purer than before and, even in her eyes, rejuvenated. But married, to a dangerous man.

Since childhood, Isabel remembers her mother's recurring request: to be cremated. And now that the day has come, with her husband Daniel at her side, it is the mother's voice that she hears, which surprises her because the mother is there, in the urn, about to be cremated, as she always wanted. And since then, she has been making herself heard, accompanied by a letter left in her will, with precise instructions, which, being drastic, may end Isabel's marriage.