Odilon Lopez

Ricardo is 10 years old, lives in the interior of Rio Grande do Sul and has nightmares about Velho do Saco, sort of a Brazilian bogeyman, “who takes out the eyes of misbehaving children”. It is not easy to distinguish truths and lies when the loss of innocence is confused with the loss of sight.

Um é Pouco, Dois é Bom is a Brazilian film, with an urban theme, produced and filmed in Porto Alegre, Rio Grande do Sul, in 1970. The film is divided into two parts (Com um Pouquinho de Sorte and Vida Nova Por Acaso) that have different character cores and independent narrative structures.

Two pickpockets live in a world where they dream of social elevation.

Um é Pouco, Dois é Bom is a Brazilian film, with an urban theme, produced and filmed in Porto Alegre, Rio Grande do Sul, in 1970. The film is divided into two parts (Com um Pouquinho de Sorte and Vida Nova Por Acaso) that have different character cores and independent narrative structures.

Um é Pouco, Dois é Bom is a Brazilian film, with an urban theme, produced and filmed in Porto Alegre, Rio Grande do Sul, in 1970. The film is divided into two parts (Com um Pouquinho de Sorte and Vida Nova Por Acaso) that have different character cores and independent narrative structures.

Um é Pouco, Dois é Bom is a Brazilian film, with an urban theme, produced and filmed in Porto Alegre, Rio Grande do Sul, in 1970. The film is divided into two parts (Com um Pouquinho de Sorte and Vida Nova Por Acaso) that have different character cores and independent narrative structures.

Two pickpockets live in a world where they dream of social elevation.

Two pickpockets live in a world where they dream of social elevation.

Two pickpockets live in a world where they dream of social elevation.