Gjergj Lala

When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately… murder.

In the family of Kozma Selita, everyone is fond of their work. Mom Vita is a tailor, his elder son Xhoxhi works at the oil refinery, Aurora is a pharmacist and Vaso works at the oil well. Flonja loves Vaso and wants him to quit his job at the oil well, but he loves his job and cannot accept that.

The film follows Astrit, a young pilot who has just finished the aviation school.

During WWII, Qemal Orhanaj exposes the attempts of the pseudo-democrats and traitors of the country to create their government backed by the Nazis.

Michele is a superficial man with nothing but contempt for other people and who lives only to show off his wealth on social media, until he finds himself mistaken for a North African immigrant in Eastern Europe and deported.

During WW2 partisans try to hide from their enemies, while old villagers mourn the deceased of the war.

Shpresa goes to the house of fascist collaborators to commit an assassination. After that, dressed as a bride, she becomes an illegal.

The committee led by Çerçiz Topulli, Mihal Grameno and Hajredin Tremishti return to their village and assassinate the Turkish officer of Gjirokastra. Afterwards, the Ottoman army starts a campaign against the province of Mashkullorë, which became a symbol of Albanian resistance and fight for freedom.

The film is about two worlds, different and parallel, living together in the same territory: the Gran Sasso of Italy. The contact between the two realities occurs through the characters of Max, a nuclear physics researcher who works tirelessly in the laboratory located in the belly of the mountain, and the shepherd Bajram. In fact, the shepherd walks on the physicist's head but neither of them knows it. Inside the laboratory the most advanced craft of mankind is being developed, above the mountain, on the other hand, there are poor immigrants doing the oldest work in the world. Gran Sasso is, according to the director, the synthetic image of globalization.