Roly Santos

Just as "the fluttering of the wings of a butterfly can be felt on the other side of the world" (according to the Chinese proverb) a coffee offered in Naples can be felt in Buenos Aires and replicated in New York. In the bars of threedifferent cities ofthe world, the camera will record the "first flutter" of a coffee cup offered to a customer.

Gualtieri is an apathetic ex-cop, fighting himself, almost nothing excites him. That is why he accepts an easy job in the jungle of the triple border. Investigating how and why a person was killed becomes the key to revealing other truths that should be buried under the wet red soil of the place.

Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.

Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.

Just as "the fluttering of the wings of a butterfly can be felt on the other side of the world" (according to the Chinese proverb) a coffee offered in Naples can be felt in Buenos Aires and replicated in New York. In the bars of threedifferent cities ofthe world, the camera will record the "first flutter" of a coffee cup offered to a customer.

Gualtieri is an apathetic ex-cop, fighting himself, almost nothing excites him. That is why he accepts an easy job in the jungle of the triple border. Investigating how and why a person was killed becomes the key to revealing other truths that should be buried under the wet red soil of the place.

Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.

Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.

Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.