Directing
Ann Oren
Born
1976-01-01 (50)
Place of birth
Tel Aviv, Israel
Known for
Directing
Credits
11 titles
Ann Oren is a visual artist and filmmaker. Her films and video installations explore performative qualities and fantasy in everyday life. The characters in her films exist in the liminal space between performers and audience as she investigates collective desire and legends from the history of literature, theater and cinema. Her work's institutional presentations include The Moscow Biennial for Young Art, The Hammer Museum, The Tel-Aviv museum, Anthology film archives, Apexart and Kindl - Zentrum für zeitgenössische Kunst. Festival screenings include Rotterdam, BFI London, Slamdance, Oberhausen Kurzfilmtage, Dok Leipzig, Locarno and Ann Arbor. Born in Tel-Aviv (1979), Ann studied Film (BA) a…
Known for
4.5When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.
Piaffe
2023
NRA foley artist creates sounds for a film starring a dressage horse, with a thrilling performance from queer artist and performer Simon(e) Jaikiriuma Paetau.
Passage
2020
NRIngeborg and Adam are visionary hand surgeons bound by love, control, and irresistible fixations. She is compelled to steal objects; he longs to become one. When an accident brings the enigmatic Gaia into their lives, unexpected desires begin to take shape, unsettling the careful balance that has long defined their relationship.
Objet a
2027
NRA western Cosplayer (costume player) of the popular cyber diva Hatsune Miku moves to Tokyo and gets to know the otaku community - obsessive manga fans. Her journey explores identity through cosplay and the fandom of the cyber diva Hatsune Miku, epitomizing collective fantasy as she is fan created. The film demonstrate the relevance of this behavior globally in terms of collective fantasy, with voice overs woven of lyrics fans wrote for Hatsune Miku.
The World Is Mine
2017
6.0In our 'freelancer' age, many who reside in a city find themselves confined to their apartment and use a computer screen mostly to branch out. This film brings nature, lunacy, emotion and humanity into the apartment, using the colour blue as the main protagonist. It is the third instalment in an ongoing series of diaristic films.
Blue
2019
Hatsune Miku is the cute personification of a synthesizer software, all her content is fan-created. This project explores the merger of fantasy into reality through Miku cosplay performed by the artist, along sampled fan-made music and animation.
The World Is Ours
2018
Behind the camera
4.5When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.
Piaffe
2023
4.5When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.
Piaffe
2023
NRA foley artist creates sounds for a film starring a dressage horse, with a thrilling performance from queer artist and performer Simon(e) Jaikiriuma Paetau.
Passage
2020
NRIngeborg and Adam are visionary hand surgeons bound by love, control, and irresistible fixations. She is compelled to steal objects; he longs to become one. When an accident brings the enigmatic Gaia into their lives, unexpected desires begin to take shape, unsettling the careful balance that has long defined their relationship.
Objet a
2027
NRIngeborg and Adam are visionary hand surgeons bound by love, control, and irresistible fixations. She is compelled to steal objects; he longs to become one. When an accident brings the enigmatic Gaia into their lives, unexpected desires begin to take shape, unsettling the careful balance that has long defined their relationship.
Objet a
2027
NRA western Cosplayer (costume player) of the popular cyber diva Hatsune Miku moves to Tokyo and gets to know the otaku community - obsessive manga fans. Her journey explores identity through cosplay and the fandom of the cyber diva Hatsune Miku, epitomizing collective fantasy as she is fan created. The film demonstrate the relevance of this behavior globally in terms of collective fantasy, with voice overs woven of lyrics fans wrote for Hatsune Miku.
The World Is Mine
2017
6.0In our 'freelancer' age, many who reside in a city find themselves confined to their apartment and use a computer screen mostly to branch out. This film brings nature, lunacy, emotion and humanity into the apartment, using the colour blue as the main protagonist. It is the third instalment in an ongoing series of diaristic films.
Blue
2019
Hatsune Miku is the cute personification of a synthesizer software, all her content is fan-created. This project explores the merger of fantasy into reality through Miku cosplay performed by the artist, along sampled fan-made music and animation.
The World Is Ours
2018
5.0Pirouette, a dreamlike journey, a dissolving into a flowing human-animal-plant-machine consciousness, follows a sound artist who records horse sounds with her own body while a cellist on the street invades her imagination. This is the psychedelic conclusion of a trilogy about horse sounds: Passage - Piaffe - Pirouette.
Pirouette
2024
NRUsing images from online amateur porn videos, Deux Femmes recreates pornographic footage shot by Man Ray and found in the artist's atelier after his death. Closely following the compositions of Ray's original film, director Ann Oren presents printed frames from online videos in a stack directly below the camera—adding a single frame to the stack every few seconds. The unhurried process of stacking the images by hand slows the otherwise speedy consumption of pornographic media in a nod to Ray's preoccupation with the female body as sculpture.
Deux femmes (for Man Ray)
2017
Weaving audio-visual recordings of zoo-animals into a fine web comprising of actions and reactions, this video finally spirals into a collective animalistic concert. Relating the different animals to each other through audio-visual montage creates fictional relations amongst the animals; a society of animals. Zoologische Gesellschaft (Zoological society) thus comments on human communities, who created zoos as mirror images. There is an otherness there, and at the same time a disturbing proximity, which we’d like to dismiss.
Zoological Society
2021
