Marina Kleshchyova

With the city in the throes of a flu epidemic, the Petrov family struggles through yet another day in a country where the past is never past, the present is a booze-fueled, icy fever dream of violence and tenderness, and where – beneath layers of the ordinary – things turn out to be extraordinary.

Antonina Milyukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.

Two collectors go to addresses and shake the debtors. Once the heroes get into a creepy house from which they can not get out.

Who doesn't dream of their own apartment, especially in the city center? The heroes of the film, two ordinary married couples, are no exception. However, on the way to their dream stands a cunning developer who, in return for hard earned money, gives a foundation pit for the house. Ordinary Russians do not want to put up with injustice and quite accidentally take the head of a construction company prisoner.

The film’s plot is based on a true story about a 10-year-old boy from a village, Ilya,whose father is killed. The criminal remains unpunished. Nobody around this situation is particularly worried, except the child, who arranges a real hunt for the murderer.

A woman lives in a small village in Russia. One day she receives the parcel she sent to her husband, serving a sentence in prison. Confused and angered, she sets out to find why her package was returned to sender.

A high school student becomes convinced that the world is lost to evil and begins to challenge the morals and beliefs of the adults surrounding him.

The Russian president decides to go on vacation. To do this, he changes his appearance with the help of prosthetics and make-up, but the hapless artist takes the cover image of the first magazine he sees laying around, and now the President looks exactly like the narcissistic marginal Valera who's hiding from the collectors. Ironically, the FSO's vigilant employees put surveillance on the wrong subject and while the real head of state plunges into commonness, goes on a road trip with fellow traveler Zina, Valera gladly enjoys the presidential service, simultaneously voicing opinions on foreign and domestic policy issues ...