Taavi Arus

Puuluup: Cables in the Car, Still is a humorous and poetic music documentary about two middle-aged musicians who are bringing the long-forgotten Talharpa to world stages. Dry humor, absurd situations, and "neo-zombie-post-folk" music intertwine in a portrait where the glory of the stage clashes with everyday life and fatherhood. The film proves that late success can be the sweetest.

Under the direction of Soundcloud and radio DJ Siim Nestor, something is happening in Estonian music that has not been seen or heard in a long time. A new wave. New characters. New Estonia. Lil Estonia!

Work needs to get done, no matter how dirty or clean.

Craft beer, microbrewery, small brewery, IPA, IBU, gypsy brew, surface and secondary fermentation – these are just a small selection of keywords that have been heard more and more often among serious beer enthusiasts in the last few years. Today, new small breweries still account for less than a few percent of the total market, and the topics related to them are so frequent on the lips of enthusiasts and in the wider media that a legitimate question arises: what is it all about? “Beer Revolution” does not provide direct answers, but it offers a kaleidoscopic overview of craft beer producers, sellers and consumers in Estonia in 2015.

A behind the scenes documentary into the making of the cult film "Õiglus"

Freddy Grenzmann is Estonia’s last rockstar and the singer of a punk-rock band called Psychoterror. And a poet. The phenomenon of a rockstar stands outside of normality – is bigger than life. Recognizingly what we can say about Freddy, is that he is not normal – not on stage, nor in life. Freddy’s creation and life are equivalent – he puts everything out there. What makes Freddy interesting is not the social or textual play, but the ammount that he puts in. Possibility of total loss of self-control and the depth of a predictable human or metaphysical agony. This is the story of the last real rockstar and poet, his work and of a punkbands anatomy.

Puuluup: Cables in the Car, Still is a humorous and poetic music documentary about two middle-aged musicians who are bringing the long-forgotten Talharpa to world stages. Dry humor, absurd situations, and "neo-zombie-post-folk" music intertwine in a portrait where the glory of the stage clashes with everyday life and fatherhood. The film proves that late success can be the sweetest.

Under the direction of Soundcloud and radio DJ Siim Nestor, something is happening in Estonian music that has not been seen or heard in a long time. A new wave. New characters. New Estonia. Lil Estonia!

Work needs to get done, no matter how dirty or clean.

Craft beer, microbrewery, small brewery, IPA, IBU, gypsy brew, surface and secondary fermentation – these are just a small selection of keywords that have been heard more and more often among serious beer enthusiasts in the last few years. Today, new small breweries still account for less than a few percent of the total market, and the topics related to them are so frequent on the lips of enthusiasts and in the wider media that a legitimate question arises: what is it all about? “Beer Revolution” does not provide direct answers, but it offers a kaleidoscopic overview of craft beer producers, sellers and consumers in Estonia in 2015.

A behind the scenes documentary into the making of the cult film "Õiglus"

Freddy Grenzmann is Estonia’s last rockstar and the singer of a punk-rock band called Psychoterror. And a poet. The phenomenon of a rockstar stands outside of normality – is bigger than life. Recognizingly what we can say about Freddy, is that he is not normal – not on stage, nor in life. Freddy’s creation and life are equivalent – he puts everything out there. What makes Freddy interesting is not the social or textual play, but the ammount that he puts in. Possibility of total loss of self-control and the depth of a predictable human or metaphysical agony. This is the story of the last real rockstar and poet, his work and of a punkbands anatomy.

New Estonian punk is boiling over. A colourful group of bands with overlapping members – Skoone, Avemaria, O.V.M., Keskkool and Spekter – resemble 1980s American West Coast punk (Black Flag, X, Germs, Minor Threat, NOFX and The Cramps, among others) more than the staple acts of our Singing Revolution era. At the heart of this scene are young musicians such as Kalli Talonpoika, Riste Sofie Käär, Fredi-Methos Miller and Villu Tamm.

Skateboarding, with its all-encompassing lifestyle, personal expression, creativity, and rebellious spirit has grown into something more than just doing tricks in Estonia. Skaters repeat in unison, “Skateboarding has given me everything.” Skateboarding is their life. Skateboarding is freedom. This is the story of a scene spanning five decades in Estonia, from the boards made with clay wheels in the 1980s to today’s youth, for whom the whole world is open.

Skateboarding, with its all-encompassing lifestyle, personal expression, creativity, and rebellious spirit has grown into something more than just doing tricks in Estonia. Skaters repeat in unison, “Skateboarding has given me everything.” Skateboarding is their life. Skateboarding is freedom. This is the story of a scene spanning five decades in Estonia, from the boards made with clay wheels in the 1980s to today’s youth, for whom the whole world is open.

Peeter and Berlin are partners that support one another. Peeter says that there are a lot of people like him in Berlin: “This place attracts people like me, because you can be your true self. Berlin doesn't judge you for who you are. Berlin accepts you the way you are. You don't see this in a lot of other cities. You won't see such attitude in Estonia!” Without a doubt, Berlin is Peeter's home and Peeter is a part of Berlin. It is a story about a man's survival in the city, which offers him almost motherly care. It is a story about loneliness, struggle and freedom.