Jimena Monteoliva

A feature-length documentary about fantasy and horror films produced by female filmmakers, including interviews with professionals from ten countries.

A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.

Two sisters marked by their mother’s murder years before find the murder weapon and the clues that lead her to the perpetrator.

A Californian backpacker travels to Buenos Aires to pay homage to the Argentine pirate who conquered his hometown of Monterey in 1818. Along the way, he becomes entangled in a polyamorous relationship with a gang of young actors who plot to kidnap the U.S. Ambassador.

Mateo lives with his mother Libertad in a rose-tinted world: a microcosm that has precisely two inhabitants, mother and son. One day Mateo is diagnosed with cancer.

The nightmarish tale of two siblings cruelly separated as kids. The youngest, Elena, is confined to the world of darkness, where she leads a miserable life. The eldest, Facundo, remains in paradise, where he lives a peaceful life as a doctor with his wife and two daughters. 25 years later, the two are reunited to face the family tragedy that separated them.

The nightmarish tale of two siblings cruelly separated as kids. The youngest, Elena, is confined to the world of darkness, where she leads a miserable life. The eldest, Facundo, remains in paradise, where he lives a peaceful life as a doctor with his wife and two daughters. 25 years later, the two are reunited to face the family tragedy that separated them.

To escape the leader of a satanic metal band and the father of her unborn child, Lucia moves to a remote cabin with her grandmother. Though safe in her surroundings, she is haunted by his memory and knows he will stop at nothing to track her down.

To escape the leader of a satanic metal band and the father of her unborn child, Lucia moves to a remote cabin with her grandmother. Though safe in her surroundings, she is haunted by his memory and knows he will stop at nothing to track her down.

To escape the leader of a satanic metal band and the father of her unborn child, Lucia moves to a remote cabin with her grandmother. Though safe in her surroundings, she is haunted by his memory and knows he will stop at nothing to track her down.

Compendium of videos animated by Ayar Blasco until 2022. The film, released directly on YouTube, includes recurring characters such as the Spoiled Child, the Rasbernardo Kitten and the first installment of the Disney Mouse in stop motion.

Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

An argentinian couple in a party at the countryside find that their friends are being killed. However, it's hard to find the killer, because they are completely stoned and don't know what is real or not.

An argentinian couple in a party at the countryside find that their friends are being killed. However, it's hard to find the killer, because they are completely stoned and don't know what is real or not.

María Fernanda and Roberto have a tortuous relationship: they spend most of their day fighting. Problem is, their fights irradiate a laziness wave that overcomes little by little all of humanity. Both of them will have no other choice but to work out their problematic relationship, before the Laziness Wave destroys the world.

A junior screenwriter called Juan Garofalo is hired by film director Samuel Goldszer to write his new film: a gangster movie set in Buenos Aires. In each meeting, the filmmakers create a story that takes place in an imaginary Pompeya neighborhood. So the characters are born: Dylan, the brutal hero of the underworld, Timmy, his disturbed, deaf-mute brother, and Lana, the femme fatale who begins the love triangle. But Pompeya hides a secret and is disputed by the Russian and Korean mafia, and Dylan is caught in a sequence of bloody crimes. Dylan fights for survival while Juan, his creator, lives with greed and misery the experience of an imaginary system of evil powers. And when pure fiction and reality are completely corrupted, the unexpected happens.

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city.

Checo and Once are two difficult teenagers who live and survive in Buenos Aires after a nuclear explosion with which the film begins. It turns the world to ashes, bringing incomprehensible social changes. But for Checo and Once, who are used to an uncertain existence, not much changes in this post-apocalyptic world.

A short film by Jimena Monteoliva

Lava (2019), the animated film Ayar Blasco presented at the 34th edition of the Mar del Plata Film Festival, left many subplots unresolved in a sci-fi narrative in which an alien civilization dominated the planet through technological devices. This incompleteness, which could then be attributed to the director’s aesthetics, always free and prone to absurdity, was actually a pause that now, four years later, is resumed. The protagonist continues to be Débora, a somewhat insecure tattoo artist who ends up involved in the resistance when a new batch of invaders threatens to wipe out every single record of the human race. With the childlike strokes and the uncontrollably innocent humor characteristic of him, Blasco continues to shape his own epic, a hallucinated version of El Eternauta, with click beetles and all.

The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

A woman is in shock at the loss of her baby after being ferociously beaten by her husband. Clementina’s trauma causes her to see ghosts.

A woman is in shock at the loss of her baby after being ferociously beaten by her husband. Clementina’s trauma causes her to see ghosts.