Directing

Cida Aidar

Known for

Directing

Credits

4 titles

Known for

Behind the camera

Hysteries poster
NR

Interspersed with documentation of dancer Juliana Carneiro da Cunha’s "Possession" performance, which draws from Christian mysticism, in the filmmaker’s words this experimental short is about “the psychic suffering of women in a patriarchal society”. It takes the viewer on a disorienting journey—with abrupt cuts in sound and image—through the Catholic Church, repressed sexuality, racial violence perpetrated by white women, maternal fatigue, male chauvinism and drug addiction…

Hysteries

1983

A Mulher do Atirador de Facas poster
6.2

In a circus, the big act is that of the knife thrower, assisted by his wife. The couple takes risks in real life, in a show of great skill and coldness, which respects a blood treaty.

A Mulher do Atirador de Facas

1984

Mulheres da Boca poster
5.0

Filmmakers Cida Aidar and Inês Castilho met as part of the feminist collective that edited the newspaper Nós Mulheres between 1976 and 1979. Filmed during 1981 in the Boca do Lixo region of São Paulo, infamous for its porn cinemas and brothels, the documentary fiction 'Mulheres da Boca' reveals the lives of sex workers on their own terms, as they are captured between seduction, play, and violence, against the backdrop of the corruption and abuse exercised by those who ran the Boca de Lixo.

Mulheres da Boca

1982

Mulheres da Boca poster
5.0

Filmmakers Cida Aidar and Inês Castilho met as part of the feminist collective that edited the newspaper Nós Mulheres between 1976 and 1979. Filmed during 1981 in the Boca do Lixo region of São Paulo, infamous for its porn cinemas and brothels, the documentary fiction 'Mulheres da Boca' reveals the lives of sex workers on their own terms, as they are captured between seduction, play, and violence, against the backdrop of the corruption and abuse exercised by those who ran the Boca de Lixo.

Mulheres da Boca

1982