Dmitri Frolov

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

A satire on Soviet propaganda based on Mayakovsky's poems.

By knowing oneself, a person knows the whole world. Refusal of self-knowledge distances a person from God. What does a woman seek in a man's world? What passionate and vague dreams control her? The painful search for the Ideal in an imperfect world is realized by a love triangle. While men measure their strength in the fight for a woman, her subconscious has already equalized them in weakness, because next to her Ideal, they are both just insignificant shadows. Perhaps the reason for the collapse is the very existence of an abstract Ideal, which inevitably gives rise to a comparative analysis of the surrounding men, and, as a result, the impossibility of choice. The happiness of motherhood for this woman lies in the absence of a reason for comparison, because the child is certainly pure and beautiful.

Lumiere's The Arrival Of A Train in Russian.

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

A satire on Soviet propaganda based on Mayakovsky's poems.

A satire on Soviet propaganda based on Mayakovsky's poems.

By knowing oneself, a person knows the whole world. Refusal of self-knowledge distances a person from God. What does a woman seek in a man's world? What passionate and vague dreams control her? The painful search for the Ideal in an imperfect world is realized by a love triangle. While men measure their strength in the fight for a woman, her subconscious has already equalized them in weakness, because next to her Ideal, they are both just insignificant shadows. Perhaps the reason for the collapse is the very existence of an abstract Ideal, which inevitably gives rise to a comparative analysis of the surrounding men, and, as a result, the impossibility of choice. The happiness of motherhood for this woman lies in the absence of a reason for comparison, because the child is certainly pure and beautiful.

Lumiere's The Arrival Of A Train in Russian.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

Saw and imagined in the children's fantasy the story of grandmother of Christ and the Apostles a little girl. Today few people remember that just a few decades ago in the village houses next to the icons you could still see the popular prints on religious themes. They finally disappeared from use only in the 60-ies of the last century. Of course, their creators were not professional painters or connoisseurs of theology. Drew, as best they could, she felt, not knowing neither rules nor laws. Simple uneducated people, nuggets, sought to glorify God with their creativity, that resonates in the hearts of those of peasants or artisans as they are.

Incredible phantasmagoria of merry-go-round people, who are usually called the dregs of society . The clip of the band "Holy Hares" ("Inflatable pistol"). Vocalist Slava Martov.

Three friends meet in a central cheerful pastime. After strolling along the boulevards, they are in nature. The dark side of the forest reveals the subconscious of each. And none of them are unaware of the existence of the world of the forces that awaken in man hidden until the time of the dark side of their personalities. The metaphor of the film is laid bare hidden from direct view the laws of nature to be reckoned with, are unaware of their presence, man.

This Petersburg you will not see on the covers of glossy magazines and advertising brochures. This city is ghosted and brutal, and it is inhabited by very different, often very gloomy people.

On a remote almost uninhabited island, there are two gently friendly representatives of the once opposing sides. They have long been accustomed to each other and do not expect any changes in life. And all of a sudden a woman appears on the island!

All day of St. Petersburg bohemia in 4 minutes of the film.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

"Time, forward!" - two orchestral suites by George Sviridov, published for the first time in 1968 (first suite) and in 1977 (second suite). The suites were created on the basis of music for the film "Time, Forward!" By Mikhail Schweitzer (based on the novel of the same name by Valentin Kataev, shot in 1965, released in 1966), dedicated to the construction of the Magnitogorsk Metallurgical Combine. From the first suite, the most famous part is "Time, forward!". Subsequently, it was used in a number of films, in television and radio programs, documentary films about the first five-year plans, industrialization, and post-war reconstruction. Sergei Oskolkov composed his suite: "Time, back!" The film is dedicated to the 100th anniversary of the revolution in Russia.

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.

Everyone has to be ready to appear before God, or it is irrevocably too late. My Lord. Save our guilty souls. Do not desert us. According to the short statement by the artist.

Everyone has to be ready to appear before God, or it is irrevocably too late. My Lord. Save our guilty souls. Do not desert us. According to the short statement by the artist.

Everyone has to be ready to appear before God, or it is irrevocably too late. My Lord. Save our guilty souls. Do not desert us. According to the short statement by the artist.

The saga of Pushkin and the Decembrists, based on a letter by Matvey Muravyov-Apostol, found in Yalutorovsk during the Soviet era.

The saga of Pushkin and the Decembrists, based on a letter by Matvey Muravyov-Apostol, found in Yalutorovsk during the Soviet era.

Romantic fantasy based on "two songs" Marina Tsvetaeva riddled melancholy fleeting meetings and partings long -. A favorite theme times late Silver Age, which came at the beginning of the Great War.

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.

In the film, the outstanding contemporary avant-garde poet Vladimir Ignatiev, the heir of OBERIUT, appeared. He played himself and read his own poetry. The film was shot 25 years ago soon after Vladimir received a serious craniocerebral injury, received as a result of the bandit attack.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

The International Foundation for the Support of the Arts "Sergey Oskolkov and his Friends" presents "DIALOGUES AT THE FACTORY" The 2nd meeting. A conversation with mathematician, businessman and philanthropist Konstantin Cerneucanu. Armed with the scientific approach of a mathematician and the practical experience of a businessman, Konstantin Cerneucanu reflects on how the essence of patronage has been developing in Russia since Diaghilev's time, how to increase the cost of an industrial building and where this world in general and Russia in particular are heading.

"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.

The film was made in the days of the August 1991 coup in Leningrad, USSR . Respecting the manner of a proprietary parallel cinema with the use of hand-held camera . Subsequently, Lars von Trier in his " Dogma " went on the same way , using a handheld camera without a tripod or placing special light. The soundtrack of the film is the soundtrack Emergency Committee appeal for the All-Union Radio August 19, 1991 . The film captured the moment of change red tricolor flag on the roof of the Mariinsky Palace on August 20, 1991.

To the idly meditating musician received a call from his distant friend with a proposal to write a song about the untimely departed Lady Diana.

The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.

The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.