Dmitri Frolov

Romantic fantasy based on "two songs" Marina Tsvetaeva riddled melancholy fleeting meetings and partings long -. A favorite theme times late Silver Age, which came at the beginning of the Great War.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.

An experimental sitcom, shot in the style of silent films of the early twentieth century. A parody of military-patriotic films. The plot of the film is the battle of the Russian army with Napoleon in 1812.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

The saga of Pushkin and the Decembrists, based on a letter by Matvey Muravyov-Apostol, found in Yalutorovsk during the Soviet era.

"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.

This Petersburg you will not see on the covers of glossy magazines and advertising brochures. This city is ghosted and brutal, and it is inhabited by very different, often very gloomy people.

A satire on Soviet propaganda based on Mayakovsky's poems.

Experimental documentary film-observation. The hero of the film - russian director experimental cinema Dmitri Frolov

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

Three friends meet in a central cheerful pastime. After strolling along the boulevards, they are in nature. The dark side of the forest reveals the subconscious of each. And none of them are unaware of the existence of the world of the forces that awaken in man hidden until the time of the dark side of their personalities. The metaphor of the film is laid bare hidden from direct view the laws of nature to be reckoned with, are unaware of their presence, man.

On February 19, 2022, a screening of Dmitry Frolov's films with the participation of the director and curator of the Film Laboratory Tikhon Pendyurin took place within the Film Laboratory of the Radio House of St. Petersburg. Dmitry Frolov's lens is aimed deep into time at the deceptive shadows of the Silver Age and surreal images of the pre-revolutionary years. The director transfers to the Soviet film the ideas and dreams of the poets of that era: expressionists, symbolists, mystics and futurists. Frolov's experimental and absurdist cinematography embodies the attitudes of early cinema: to combine theater, literature, music and painting. In his films, the resurrected and hypertrophied Art Nouveau, as if in a camera obscura, reflects the key moments of the collapse of the Soviet Union.

The first Surrealist film perestroika years.

Reconstruction of silent films: a parody of the salon drama of the early twentieth century.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Lumiere's The Arrival Of A Train in Russian.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Black people, red dwarfs, idols on bronze steeds, shadow of geniuses and heroes. This is not story about Hades from an ancient history textbook. This is Sankt-Petersburg In mystical literary tradition such as he is. A pomposity, an open space and - deathness. There is no gleam in the sky, Neva looked like poured by a lead, a crude air presses and can not pass through lungs, which are already struck by bacillus Kochii, and there are around ominous frights, threatening to punish for an unknown offence. And even white nights are bad. It looks as if you can meet phantom of a Poet which was tortured at thirtieth years of any of the last centuries. Be careful with monuments. They fond of walk along town quays (as told us Poushkin - he brings luck!). And do not trust this Neva prospectus. City - phantom, evolved from a bog which is refuge of evil spirits. Brilliant St.-Petersburg.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

Romantic fantasy based on "two songs" Marina Tsvetaeva riddled melancholy fleeting meetings and partings long -. A favorite theme times late Silver Age, which came at the beginning of the Great War.

The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.

The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.

The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.

On a remote almost uninhabited island, there are two gently friendly representatives of the once opposing sides. They have long been accustomed to each other and do not expect any changes in life. And all of a sudden a woman appears on the island!

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

By knowing oneself, a person knows the whole world. Refusal of self-knowledge distances a person from God. What does a woman seek in a man's world? What passionate and vague dreams control her? The painful search for the Ideal in an imperfect world is realized by a love triangle. While men measure their strength in the fight for a woman, her subconscious has already equalized them in weakness, because next to her Ideal, they are both just insignificant shadows. Perhaps the reason for the collapse is the very existence of an abstract Ideal, which inevitably gives rise to a comparative analysis of the surrounding men, and, as a result, the impossibility of choice. The happiness of motherhood for this woman lies in the absence of a reason for comparison, because the child is certainly pure and beautiful.

An experimental sitcom, shot in the style of silent films of the early twentieth century. A parody of military-patriotic films. The plot of the film is the battle of the Russian army with Napoleon in 1812.