Eduardo Mascarenhas

No synopsis available yet.

Santiago is a very unlucky guy, but he managed to marry Marina, a talented restorer who works in a museum. Their marriage is not in the best condition, largely because of their routine and financial situation. But, trying to reconnect with her husband, Marina decides to use her best friend, Argeu, to make her spouse jealous. The problem is that all the plans they make together end up going wrong or causing more confusion.

The impact of Ney Matogrosso's performances on his audience and the reverberation of that impact on Brazilian culture, from the second half of the 20th century to the present. An audiovisual anthology, all composed of archival images. The best way to get to know Ney is to be with him on stage.

No synopsis available yet.

On the eve of her wedding, Glorinha finds herself looking back at her life and confronting the injustices, sexual perversions, adultery and crimes that are hidden under the happy bourgeoise facade.

One of the most daring and radical shows presented in Brazilian television: "Abertura". It was broadcast between February and October, 1979, with weekly editions, presented by Brazilian filmmaker Glauber Rocha. The video is a compilation of characters, statements, and interviews about the political and cultural situation of the country during the final stages of the Military Dictatorship.

No synopsis available yet.

Santiago is a very unlucky guy, but he managed to marry Marina, a talented restorer who works in a museum. Their marriage is not in the best condition, largely because of their routine and financial situation. But, trying to reconnect with her husband, Marina decides to use her best friend, Argeu, to make her spouse jealous. The problem is that all the plans they make together end up going wrong or causing more confusion.

No synopsis available yet.

No synopsis available yet.

On the eve of her wedding, Glorinha finds herself looking back at her life and confronting the injustices, sexual perversions, adultery and crimes that are hidden under the happy bourgeoise facade.