Fermín Eloy Acosta

Inaugurated by the military government of Lanusse and built under the motto "The neighborhood of the year 2000", Lugano I and II today is a place full of signs and routes that its ideologists left programmed forever. The film moves between the ghosts of the past and life in the present

Tired of the constant presence of nature in their lives, a group of humanoids go on a search for artificial light and cement.

No synopsis available yet.

At the end of the 1960s, Argentine artist Leandro Katz participated in “Theatre of the Ridiculous”, an eccentric group linked to New York’s queer underground. This film-essay moves between archives, testimonies, and spectres of the past that question the present. Photography, film, video, and sound intertwine to approach, if only in brief flashes, that mythical past and raise questions about time, art, sexuality, death, and cinema.

Inaugurated by the military government of Lanusse and built under the motto "The neighborhood of the year 2000", Lugano I and II today is a place full of signs and routes that its ideologists left programmed forever. The film moves between the ghosts of the past and life in the present

Tired of the constant presence of nature in their lives, a group of humanoids go on a search for artificial light and cement.

No synopsis available yet.

No synopsis available yet.

At the end of the 1960s, Argentine artist Leandro Katz participated in “Theatre of the Ridiculous”, an eccentric group linked to New York’s queer underground. This film-essay moves between archives, testimonies, and spectres of the past that question the present. Photography, film, video, and sound intertwine to approach, if only in brief flashes, that mythical past and raise questions about time, art, sexuality, death, and cinema.

At the end of the 1960s, Argentine artist Leandro Katz participated in “Theatre of the Ridiculous”, an eccentric group linked to New York’s queer underground. This film-essay moves between archives, testimonies, and spectres of the past that question the present. Photography, film, video, and sound intertwine to approach, if only in brief flashes, that mythical past and raise questions about time, art, sexuality, death, and cinema.