Writing
Stephan Hermlin
Acting credits
5.2Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.
Berlin 1990
1990
NRTogether with Stephan Hermlin, H&S examine two five-minute film documents in this film, which were shot in 1941 on behalf of the Gestapo. The comparison with a written eyewitness account exposes the first film - "about the dazzling supply of food to the Jews" - as a propaganda lie, while the second - made 14 days later - conveys a complex picture of the Nazi extermination bureaucracy.
Die Lüge und der Tod
1988
Behind the camera
10.0Documentary on the master composer, from a GDR point of view.
Ludwig van Beethoven
1954
NRAfter the workers’ revolt on June 17th, 1953 this film disappeared in the archives until 1997.
Baumeister des Sozialismus Walter Ulbricht
1953
NRTogether with Stephan Hermlin, H&S examine two five-minute film documents in this film, which were shot in 1941 on behalf of the Gestapo. The comparison with a written eyewitness account exposes the first film - "about the dazzling supply of food to the Jews" - as a propaganda lie, while the second - made 14 days later - conveys a complex picture of the Nazi extermination bureaucracy.
Die Lüge und der Tod
1988
NRTogether with Stephan Hermlin, H&S examine two five-minute film documents in this film, which were shot in 1941 on behalf of the Gestapo. The comparison with a written eyewitness account exposes the first film - "about the dazzling supply of food to the Jews" - as a propaganda lie, while the second - made 14 days later - conveys a complex picture of the Nazi extermination bureaucracy.
Die Lüge und der Tod
1988